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Alexandre da Cunha – interview: ‘All my work is about combining things...

The artist discusses his use of found objects, the place of autobiography in his work, his fascinati...

Ayako Suwa: Taste of Reminiscence, Delicacies from Nature

The Japanese food artist Ayako Suwa usually uses food and flavours as her medium, but the Covid pand...

Craig Gough – interview: ‘Improvisation in painting is a lot like jazz...

Now in his 80s, Gough continues to paint his vast abstract canvases. He talks about his long career ...

Alberta Whittle – interview: ‘No one can find Barbados on a map, where...

The artist talks about the erasure of black people in everyday society, and how this informs and mot...

Christo & Jeanne-Claude’s London Mastaba Rises Again – and Again and A...

A clever smartphone app has turned Christo & Jeanne-Claude’s London Mastaba into a trick of augmen...

Bill Brandt and Henry Moore – book review

The work of the photographer Bill Brandt and the sculptor Henry Moore first came together during the...

Bodily Objects

Seven artists interpret the sexuality of the female body in subversive and surreal ways...

Aliza Nisenbaum – interview: ‘I’ve found Zoom surprisingly intimate....

Nisenbaum is preparing for two exhibitions this year, one at Anton Kern Gallery in New York and one ...

Anish Kapoor

Anish Kapoor’s postponed exhibition at Houghton Hall opens as lockdown eases in the UK...

Andrew Litten – interview: ‘I like the feeling that my work is emotion...

The artist talks about his concern with expressing human vulnerability and encouraging empathy and c...

Ann Thomson – interview: ‘Art is a means of renewing culture’

Now in her late-80s, the Australian artist discusses how her love of Aboriginal art was sparked as a...

Anthony Whishaw – Works on Paper

This accessible and entertaining book by Richard Davey focuses on the 90-year-old artist’s long-fo...

Clae Eastgate – interview: ‘I want my portraiture to be that bridge, t...

The artist talks about her project Painting the Poets, comprising a growing collection of portraits ...

Christo (1935-2020)

The Bulgarian-born artist famed for wrapping massive structures, great bodies of water and chunks of...

Alexandra Daisy Ginsberg – interview: ‘We need to radically rethink ou...

The coronavirus pandemic is a chance for people to ask how they can do better by nature, says Ginsbe...

Cao Fei: Blueprints

Cao’s first large-scale UK exhibition is a fantastical exploration of utopian and dystopian worlds...

Cecil Beaton: Bright Young Things

This thoughtfully designed exhibition tells the story of Cecil Beaton and the Bright Young Things pe...

British Surrealism

This is a long overdue survey of the British contribution to the surrealist movement...

Chung Sang-Hwa: Excavations, 1964-78

Chung was in the vanguard of Korean abstract painting in the 1960s and 70s and this show combines 11...

Andy Warhol

There is a great deal of death in this exhibition but, ultimately, it is an overwhelming lust for li...

A personal message: Anita Glesta

Brooklyn-based artist Anita Glesta sends a video message from her temporary studio in upstate New Yo...

Aubrey Beardsley

In the largest exhibition of Beardsley’s drawings for 50 years, we see evidence of his exquisite p...

Climate in Crisis: Environmental Change in the Indigenous Americas

This exhibition documents the hardships faced by Indigenous people from across the Americas as a res...

Carmen Neely – interview: ‘I'm interested in the process of what is lo...

The artist talks about the role of collecting, (re)creating characters and identities, translation, ...

Caravaggio-Bernini: The Baroque in Rome

This is the first major exhibition to pair the greatest painter of the baroque period with its great...

Art Deco by the Sea

This takes us to an interwar Britain where hope and modernism blossomed, changing the face of everyt...

Actinic – Photography in Print

As part of the Actinic Festival, Kristina Chan, Nick Devison, Itamar Freed, Morwenna Kearsley and Ma...

An-My Lê – interview: ‘All the striations of important events are ret...

Photographer An-My Lê talks about her project Silent General and the personal and political tension...

British Baroque: Power and Illusion

The Tate’s first survey of Britain’s late-17th-century art is a misshapen pearl, often glimmerin...

Christine Rebet– interview: ‘Animation is perfect for critique: it is ...

Studio International spoke to Rebet at the opening of Time Levitation, her first solo show in the UK...

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