Archive - Results from #210

Published 30/11/-0001

Visionaries: Making Another Perspective

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Documentation of the making of an Assisted Self-Portrait from Assembly (2013-2014) by Anthony Luvera.

Anthony Luvera – interview: ‘Photography is a way of telling stories a...

Luvera is the editor of Photography for Whom?, a new journal focusing on community photography proje...

Andermatt Concert Hall

The Andermatt Concert Hall is a world-class auditorium, the first in the Swiss Alps, designed by arc...

Alberto Giacometti in his studio, 1960. Photo: Rene Burri/Magnum Photos.

Alberto Giacometti: A Line Through Time

This remarkable show traces Giacometti’s artistic career, displaying his works alongside those of ...

Botanic: National Amalgamation Project

Iranian artist Maryam Najd talks about her exhibition at the Arthur M Sackler Museum of Art and Arch...

Terry Gilliam, Freud Analysed, 1969. Collage, airbrush and watercolour on card, 40 x 30.8 cm. Lent by the artist.

Cut and Paste: 400 Years of Collage

This show explores the ways in which collage has been used to create work that is, by turns, playful...

Portrait of Alvaro Barrington. Courtesy Galerie Thaddaeus Ropac, London · Paris · Salzburg. © Alvaro Barrington, Photo: Ben Westoby London 2019.

Alvaro Barrington – interview: ‘When you look at my paintings, you’r...

The New York-based painter talks about the artists he steals from, integrating his lived experience ...

Frank Auerbach. Mornington Crescent, Summer Morning II, 2004. Ben Uri Collection. Copyright the artist, courtesy Marlborough Gallery, London.

Architecture of London

With works from the 17th century to the present day, this impressive exhibition views the changing n...

Callum Hüseyin (left), Let’s Finish It. Photo courtesy Institute of Cancer Research.

Callum Hüseyin – interview: ‘Music has the power to shock people in a...

Taking as inspiration the stories of scientists, donors and patients and creating a breathtakingly b...

Cindy Sherman

Sherman was fascinated by the ambiguous nature of appearances and she throws out clues to entice vie...

Cyril Power, The Tube Station, 1932. © The Estate of Cyril Power. All Rights Reserved, 2019 / Bridgeman Images.

Cutting Edge: Modernist British Printmaking

Dulwich Picture Gallery shines a well-deserved spotlight on an almost-forgotten era of future-facing...

Andrea Luka Zimmerman – interview: ‘This is how I work in films, it’...

Luka Zimmerman talks about her interest in people on the margins, her collaborative process, and tha...

Linda Fleming: Allusion, installation view of Gossamer, Robischon Gallery 2019. Image courtesy Robischon Gallery.

Barbara Takenaga, Linda Fleming, Jaq Chartier, Alison Hall at Robischon Ga...

Although these four solo exhibitions – hosted side by side – are each distinctive, they all cont...

Giorgio Morandi, Still Life (Natura morta), 1936. Oil on canvas, 33 x 37 cm. Fondazione Magnani Rocca, Mamiano di Traversetolo (Parma), Italy. © Giorgio Morandi, VEGAP, Bilbao, 2019.

A Backward Glance: Giorgio Morandi and the Old Masters

The early 20th-century painter known for his devotion to still lifes is held up next to the artists ...

AI: More than Human

With AI seeping into all our lives, the Barbican should be congratulated for tackling such a prescie...

Andrew Marr talking to Studio International in his London studio, 2019. Photo: Nick Howard.

Andrew Marr – interview: ‘Everybody is angry and upset. We’ve messed...

The broadcaster, writer and former BBC political editor talks about how his painting and drawing pra...

Casey Reas – interview: ‘There is an increased understanding that soft...

Reas is known as the man who helped to create the open-source programming language Processing and br...

Robert Mapplethorpe. Self Portrait, 1988. Photograph, gelatine silver print on paper, 57.7 x 48.1 cm. ARTIST ROOMS National Galleries of Scotland and Tate. Acquired jointly through The d'Offay Donation with assistance from the National Heritage Memorial Fund and the Art Fund 2008 © Robert Mapplethorpe Foundation.

Artist Rooms: Self Evidence – Photographs by Woodman, Arbus and Mappleth...

In their intimate and groundbreaking portraits, Woodman, Arbus and Mapplethorpe dared to show the di...

Portrait of Angelica Mesiti in her exhibition ASSEMBLY, 2019. Commissioned by the Australia Council for the Arts on the occasion of the 58th International Art
Exhibition – La Biennale di Venezia, courtesy of the artist and Anna Schwartz Gallery, Australia and Galerie Allen, Paris. Photography: Zan Wimberley.

Angelica Mesiti – interview: ‘I really want to maintain ambiguity and ...

Representing the Australian Pavilion at this year’s Venice Biennale, Angelica Mesiti is showing a ...

Dale Chihuly. Neodymium Reeds and Turquoise Marlins, blown glass, (date not specified). Royal Botanic Gardens, Kew, London 2019. Photo: Anna McNay.

Chihuly at Kew: Reflections on Nature

As an artist who seeks to create works that appear as if they came from nature, placing intervention...

Antonello da Messina

A must-see exhibition at Milan’s Palazzo Reale unites two-thirds of the surviving paintings by Sic...

Aliza Nisenbaum, London Underground: Brixton Station and Victoria Line Staff, 2019. Commissioned by Art on the Underground. Photo: Angus Mill.

Aliza Nisenbaum – interview: ‘I was torn between wanting to be a socia...

The Mexican-born, New York-based artist talks about her first UK public commission, a mural at Brixt...

Balkrishna Doshi: Architecture for the People

This comprehensive exhibition guides us through the creative world of this Pritzker Prize-winning ar...

Allan Sekula, Black Tide/Marea negra, 2002-03. 20 colour photographs in 10 frames, text. Copyright Allan Sekula. Courtesy the artist and Marian Goodman Gallery New York, Paris and London.

Allan Sekula: Photography, A Wonderfully Inadequate Medium

A career-spanning presentation of the late photographer and theorist shows an artist redefining the ...

Anne Imhof: Sex

Spending four hours at Imhof’s live works is like Waiting for Godot, for the slacker generation. T...

The Shed, New York, by Diller Scofidio + Renfro, lead architect and Rockwell Group, collaborating architect. Photo: Miguel Benavides.

Biosphere – The Shed at Hudson Yards opens

Pioneering and Olympian, a $475m arts centre anchoring the south end of a shiny new enclave on Manha...

Barby Asante: Declaration of Independence, 2019. BALTIC Centre for Contemporary Art. © 2019 BALTIC.

Barby Asante – interview: ‘There was real pleasure running through the...

With Declaration of Independence at the Baltic, Asante makes space for womxn of colour to relate nar...

Barbara Walker talked to Studio International before the opening of Protest and Remembrance, Alan Cristea Gallery, London. Photo: Martin Kennedy.

Barbara Walker – interview: ‘From the moment I make the first mark, I...

Walker scours archives for images on which to base her drawings of black soldiers. She talks here as...

M9 Museum Building (right) and Administrative (left). Photo: Jan Bitter.

A beautiful thing: Sauerbruch Hutton’s M9 Museum in Mestre opens

Italy’s first all-digital history museum, M9, has opened across from Venice. With its sleek, ceram...

Rembrandt van Rijnb, Self-portrait with Tousled Hair, c1628–29. De Bruijn-van der Leeuw Bequest, Muri, Switzerland.

All The Rembrandts

For the 350th anniversary of Rembrandt’s death, the Rijksmuseum is staging a once-in-a-generation ...

Cliff Rowe, Woman Cleaning a Locomotive in St Pancras Cleaning Yard, 1942. Watercolour with white on board, 23 x 32 cm. National Railway Museum, York. © Anna Sandra Thornberry, daughter.

Christine Lindey – interview: ‘The artists’ principled adherence to ...

Christine Lindey, author of Art for All. British Socially Committed Art from the 1930s to the Cold W...

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