Crone Music features two new films by London-based artist Beatrice Gibson. Exploring themes of mothe...
Andy Warhol and Eduardo Paolozzi: I want to be a machine
In the 1960s, Warhol and Paolozzi believed art would benefit from increasing mechanisation. This sho...
Bloomberg New Contemporaries 2018
From this annual showcase of new talent, we pick five artists to watch, from Yushi Li’s erotically...
Coming Home: Art and the Great Hunger
This exhibition of artwork from Ireland’s Great Hunger Museum at Quinnipiac University, Connecticu...
Betty Yu: ‘Wherever you are, there are folks fighting for their lives’
New York-based artist Betty Yu talks about the gentrification of her neighbourhood in Brooklyn and w...
Ceal Floyer’s subversion of everyday objects continues her meditation on materiality in private an...
-300.jpg)
Christine Ay Tjoe: ‘I will always treat every medium as paper and pencil...
For her first solo exhibition in London, the Indonesian artist presents a group of intricately layer...
Trend-spotting is over, but lacking, too, was the buzz. In the end, what ABMB brought to fair-goers ...
Brent Wadden: ‘I love a good happy accident. The mistakes end up being i...
The artist talks about Sympathetic Resonance, his new show at Pace, why he refers to his weaving as ...
Famed for wrapping massive structures and sculptures built from oil drums, Christo, who collaborated...
Bruce Nauman: Disappearing Acts
This retrospective helps us understand Nauman as an artist who turns attention to himself, his body ...
Andreas Lolis: ‘I’m not working with marble, I’m conversing with it...
Lolis talks about why he uses marble to sculpt bin bags, wooden crates and other mundane items, in r...
Artes Mundi 8 Prize and Exhibition
The artists shortlisted for Artes Mundi 8 aim to stir our consciences on everything from abuse of th...
Anna Boghiguian, interview, Artes Mundi 8
Anna Boghiguian talks about her travels and research for A Meteor Fell from the Sky, the founding of...
A New Spirit Then, A New Spirit Now, 1981-2018
Revisiting a seminal exhibition from nearly four decades ago, curator Norman Rosenthal presents 15 p...
Marking 450 years since Pieter Bruegel the Elder’s death, this staggering survey reunites a vast a...
Billy Apple interview: The Artist Has to Live Like Everybody Else 1961–2...
Billy Apple is not just an artist – he’s a trademarked brand. He talks about exchanging his art ...
Berlinde de Bruyckere: Stages & Tales
In two powerful sets of new work at Hauser & Wirth’s Somerset outpost, Berlinde de Bruyckere moves...
Chagall, Lissitzky, Malevich: The Russian Avant-Garde in Vitebsk, 1918-1922
By sidestepping radical abstraction and highlighting the quixotic figurative work of Chagall, this e...
Birgitta Hosea: Erasure at Hanmi Gallery Seoul
‘I was always drawing with my mother, and making things with my mother,’ says the artist...
Istanbul-based artist Banu Cennetoğlu talks about the List, a documentation of refugees known to ha...
Aaditi Joshi: ‘I want to be closer to plastic and express its beautiful ...
You may view plastic as rubbish, but for Mumbai artist Aaditi Joshi it is ‘as precious as a gem’...
![Agostino Bonalumi. Blue abitabile (opera ambiente) [Inhabitable Blue (environmental artwork], 1967. Shaped canvas and vinyl tempera, 300 x 340 cm. Private collection. © ALTO//PIANO – Agostino Osio photography.](/images/articles/b/072-bonalumi-2018/smallpix/Blue-abitabile-(opera-ambiente)-2-300.jpg)
The first retrospective of Bonalumi’s sculptural exploration of canvas, colour and material since ...
Alison Wilding and Florence Peake in conversation
With Wilding’s show Right Here and Out There and Peake’s RITE on concurrently at the De La Warr ...
Christopher Williams: Normative Models
In this exhibition, which includes seven photographs and several blank walls, the US photographer in...
Covered in Time and History: The Films of Ana Mendieta
Mud, blood, fire and water: a touring exhibition of the Cuban American artist affirms her continuing...
Chinese artist Cui Xiuwen died in Beijing, where she was based, on 1 August, at the age of 51, after...
Bao Pei uses ink and paper in the tradition of Chinese ink painting, but makes her work abstract, an...
Alex Prager: Silver Lake Drive
Prager revels in cliche and it is clear from the large Technicolor photographs and the handful of fi...
Cui Xiuwen, one of the most important avant-garde artists from China, passed away yesterday, leaving...
Copyright © 1893–2024 Studio International Foundation.
The title Studio International is the property of the Studio International Foundation and, together with the content, are bound by copyright. All rights reserved.
 |
 |
 |
|---|