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Expo Chicago 2017

An ambitious Expo Chicago showed positive signs of a refined personality, an adventurous pioneering ...

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From the Vapor of Gasoline

This exhibition is a lively collection of works from a group of impressive and challenging artists, ...

Delirious: Art at the Limits of Reason 1950-1980

At the risk of exposing the theme show as a curatorial conceit, this selection of work produced in t...

Folkestone Triennial 2017

The fourth triennial outing for this slowly regenerating UK seaside town sees curator Lewis Biggs in...

Emily Peasgood: Halfway to Heaven

Emily Peasgood’s sound piece Halfway to Heaven is set in a Baptist graveyard, a high hump of soil,...

Daniel Richter: Lonely Old Slogans

German painter Daniel Richter’s first UK solo show reveals uncomfortable truths about human expres...

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Damien Hirst: Treasures from the Wreck of the Unbelievable

The YBA’s watery comeback dazzles with its extravagance, but the audacity of Hirst’s exhibition ...

Delving into coding: the art of Harold Cohen

Harold Cohen, who developed Aaron, one of the first and most complex software programs for computer-...

Dreamers Awake

Filled with dark eroticism and witty visual puns, Dreamers Awake is a sprawling survey that explores...

Evgenia Arbugaeva: ‘I’m always making up stories and believing in magi...

Russian photographer Evgenia Arbugaeva spins gold from the light of desolate places, finding beauty ...

Esther Rolinson: ‘Light has an immediacy. We are literally woken up by i...

The multimedia artist Esther Rolinson talks about her exhibition Gravitate at Watermans Art Centre, ...

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Fahrelnissa Zeid

This exhibition tells the story of the irrepressible spirit of a true artistic visionary who has bee...

Frank Quitely: The Art of Comics

The Glaswegian comic-book superstar Frank Quitely is celebrated in this new exhibition of his famous...

Florian Hecker: Synopsis

Florian Hecker manipulates digital sound and our perception of it in this installation commissioned ...

Elger Esser: ‘Beauty is not important; it’s a logical result in my opi...

After his recent solo exhibition at Parasol Unit in London, Elger Esser talks about the relationship...

Frieze New York 2017

The fair’s extensive list of programmes and projects, including a symposium on Latin American art,...

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Frances Stark: ‘I am desperately trying to connect outside of the art wo...

Frances Stark, the Los Angeles-based interdisciplinary artist and writer, talks about her first oper...

Eddie Martinez: 'I just want people to interpret the work how they want'

Eddie Martinez talks about his latest show, Cowboy Town, at Timothy Taylor Gallery in London, the in...

Enrique Martínez Celaya: 'The sense of past as memory always has force'

Enrique Martínez Celaya talks about his latest show, The Gypsy Camp, and his interest in nomadism a...

David Hepher – Grain of Concrete

Unusually for a landscape artist, David Hepher has for 40 years focused almost exclusively on the to...

Deanna Petherbridge: ‘Drawing can be a million different things, but I t...

Using pen and ink as a metaphorical means of interrogating human interest, Deanna Petherbridge sees ...

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From Selfie to Self-Expression

Advertised as the world’s first exhibition dedicated to the history of the selfie, From Selfie to ...

Drawing Biennial 2017

The eighth edition of the Drawing Biennial, which includes more than 200 works on paper, prompts a r...

Edward Krasiński

As mercurial as this master of the Polish avant-garde might seem, a career-wide survey revealed some...

Deimantas Narkevičius: 20 July 2015

In the Lithuanian artist’s latest exhibition, contrasting public reaction to the dismantling of co...

Do Ho Suh: Passage/s

With the lightest of touches, artist Do Ho Suh can transform the architectural into a symbol of the ...

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David Hockney

Celebrating 60 years of Hockney’s work, this exhibition charts the art of a modern great through d...

David Brian Smith: ‘My cause is to fight for the plight of the English c...

The painter’s pop-coloured vision of the English countryside belies a sad truth, but as Smith demo...

Ed Webb-Ingall: ‘I am a product of lesbian history and a child of sectio...

The video-maker talks about working with communities, his current work, We Have Rather Been Invaded,...

Frank Stella: The Kenneth Tyler Print Collection

Focusing on the rich seam of Stella’s prints, this show gives an insight into the remarkable colla...



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