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Published  30/11/-0001
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Every Ocean Hughes: One Big Bag

A young death doula sets out the tools of her ‘mobile corpse kit’, as she explains how she looks...

Francis Bacon: Man and Beast

The raw power of the works in this show, in which we see Francis Bacon’s fascination with animals ...

Fausto Melotti: Theatre

The fascinating Italian modernist Fausto Melotti discovers his humanity through theatre...

Flesh Arranges Itself Differently

Drawing from two remarkable collections of contemporary art and medical and scientific discovery, th...

Donna Huddleston – video interview: ‘I was thinking of all the works b...

Donna Huddleston talks about her beguiling new works on paper, for which she draws on her background...

Drift: Moments of Connection

The Amsterdam-based duo combine art and technology in installations that work with light and movemen...

Elizabeth Murray

Expansive, exuberant and looking as fresh as if they had just been made, the five works on show here...

Danny Fox: Brown Willy

Inspired by St Ives painters such as Ben Nicholson and Alfred Wallis, Danny Fox paints his home town...

Dürer’s Journeys: Travels of a Renaissance Artist

Albrecht Dürer was a great traveller, visiting the Alps, Italy and the Low Countries. This exhibiti...

Emeka Ogboh – interview: ‘I want listeners to be transported to Lagos....

As his latest show, at the Gropius Bau in Berlin, explores his Igbo heritage, Emeka Ogboh explains w...

Emma Cousin: Game Face

Cousin’s paintings are named after childhood games, but the contorted life-sized figures and faces...

Doron Langberg – interview: ‘There's this rush of empathy and emotion...

As his first London gallery show opens, Doron Langberg, the Brooklyn-based artist, talks intimacy, i...

Disciples of Dóra Maurer

A snappy group show offers a snapshot of Hungarian art today, as filtered through the influence of t...

Folkestone Triennial 2021: The Plot

This is the town’s fifth triennial, an ambitious and remarkable event, but has the money ploughed ...

Eduardo Chillida

The Basque sculptor’s geometry-defying, spatially expansive works fit snugly into the barns and gr...

Ellen Gallagher: Ecstatic Draught of Fishes

Gallagher takes the viewer down into her watery world, where mythology, history and nature collide, ...

Exhibition Cuttings, curated by Mathieu Copeland

Copeland challenges the usual perceptions of what an exhibition should be. Here he explores the idea...

Enough Is Definitely Enough – book review

As this captivating book shows, when Andrew Bracey asked 62 contemporary artists for their interpret...

Eileen Agar: Angel of Anarchy

A packed retrospective of the surrealist fellow-traveller spirals off in all sort of directions, off...

El Anatsui: Art and Life – book review

Susan Mullin is both an expert on and a friend to the Ghanaian sculptor El Anatsui. This second edit...

Epilogue: Michael West’s Monochrome Climax

West’s willingness to take risks and reject stylistic uniformity shines through in this exhibition...

Frick Madison provides temporary home for the Frick Collection

The superstars have been realigned as the old Whitney Breuer hosts the Frick Collection with surpris...

Destination Art – book review

Indulge in some armchair escapism and travel to deserts forests and ghost towns, as art historian Am...

Eleanor May Watson – interview: ‘Home is a sanctuary, but also a reall...

Eleanor May Watson talks about the weight of history, the evolving nature of her work and the comple...

Emma Nicolson of Inverleith House: ‘Art institutions can highlight the d...

Emma Nicolson, the head of creative programmes at Inverleith House at the Royal Botanic Garden Edinb...

Exercising Freedom: Encounters with Art, Artists and Communities

Drawing on archival material, this fascinating exhibition looks at the Whitechapel Gallery’s pione...

Emily Jacir – interview: ‘I wanted the locals to show me what was impo...

The artist talks about her stone sculpture, Pietrapertosa, created as part of the Gardentopia projec...

Dutch Design Week

It is known as a showcase for critical, speculative and multidisciplinary design projects that make ...

Eleanor Bartlett – interview: ‘When you see a great lump of tar, it’...

Eleanor Bartlett talks about why she favours working with bitumen, metal paint and wax and why colou...

Fabienne Verdier: Vortex

Sound and vision collide in Verdier’s work, with this latest show exploring the physical, emotiona...

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