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Published  30/11/-0001
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Gerhard Richter: Seascapes

An exhibition of Richter’s seascapes goes on display at Guggenheim Museum Bilbao, proving that, ev...

Imaginary Cities

The digital artist Michael Takeo Magruder transforms urban maps from the British Library into data-d...

Irina Nakhova – interview: ‘I want my works to provoke curiosity’

The Russian artist talks about her latest exhibition, Museum on the Edge, at the Zimmerli Art Museum...

Henry Moore Drawings: The Art of Seeing

Although Henry Moore is best known as a sculptor, drawing was critical to his artistic practice. Thi...

How Chicago! Imagists 1960s & 70s

Rosie Cooper and Sarah McCrory’s stunning retrospective pays homage to an artist group at work bey...

Hockney – Van Gogh: The Joy of Nature

For those hoping to see the shared sensibilities and sensitivities of two of the world’s most famo...

Gerda Scheepers: Rooms

The Cape Town-based artist presents new work at Glasgow’s Mary Mary Gallery, creating a subversive...

Hew Locke – interview: ‘A lot of my work has to do with the burden of ...

Hew Locke discusses monarchy, nationhood, bigotry, boats, Brexit and the seductive silliness of TV...

Ghislaine Leung: Constitution

In Leung’s new installation, it is clear she has a point to make. Just what that point is, though,...

Imre Bak – interview: ‘In today’s language, we need to achieve some ...

The neo-avant-gardist recalls cold war isolation, his enduring commitment to geometric abstraction, ...

Htein Lin – interview: ‘I wanted to show that I could also continue to...

Htein Lin was jailed for challenging the military dictatorship in Myanmar. Here, he talks about his ...

Harald Sohlberg: Painting Norway

Harald Sohlberg’s paintings of Norwegian houses and snowy mountains are saturated with colour and ...

Gabriele Münter: Painting to the Point

Best-known for her colourful, expressionist landscapes and her graphic portraits, as well as for her...

Gustavo Pérez Monzón: ‘Interests, obsessions and people keep appearing...

The Cuban artist discusses his return to production, a fascination with the systems of arcane scienc...

Gordon Matta-Clark: Works 1970-1978

Using films, photo collages and reconstructions, this show brings back to life the pioneering work o...

Gainsborough’s Family Album

The National Portrait Gallery introduces us to Thomas Gainsborough’s colourful family in a beautif...

I am Ashurbanipal: King of the World, King of Assyria

I am Ashurbanipal tells the story of an educated Assyrian king with a brutal streak...

Henrike Naumann: ‘I really see fascism in the furniture’

Naumann’s careful recreations of 1990s living spaces explore how sudden social and economic change...

Goldsmiths Centre For Contemporary Art

The Turner Prize-winning architectural collective Assemble has transformed an old bathhouse into a c...

Ian Davenport: Colourscapes

The artist discusses works done over the past year, now at Waddington Custot, London, as well as the...

Heidi Bucher

The Swiss artist’s intriguing latex ‘skinnings’ of buildings and objects are shown for the fir...

Glenstone extension opens: Power and control yield irrepressible beauty

Mitchell and Emily Rales’s $125m extension of Glenstone – due to open on 4 October – makes it ...

In Pursuit of Elusive Horizons

This tightly focused group exhibition explores the human impact on our environment...

Gustav Klimt: Artist of the Century and Egon Schiele: The Jubilee Show

The Leopold Museum in Vienna celebrates the work of two of its greatest painters, Gustav Klimt and E...

Intersection: International Art and Culture

In celebration of its 25th anniversary, the Arthur M Sackler Museum of Art and Archaeology at Peking...

Henry Skerritt and Margo Smith talk about the Kluge-Ruhe Aboriginal Art Co...

With more than 1,900 works, the Kluge-Ruhe Aboriginal Art Collection at the University of Virginia i...

Giacometti

This thoughtful and revealing survey of an artist the Guggenheim exhibited in 1955 with Giacometti...

Helen Beard: interview

Helen Beard’s striking and marvellously simplified, flat colour images, take you by surprise in a ...

Harriet Middleton-Baker: ‘I enjoy the potential for opera to be seriousl...

The artist talks about unpicking the story of William Hogarth’s A Harlot’s Progress and using he...

Glasgow International Festival 2018

The largest festival for contemporary visual art in Scotland, the eighth Glasgow International, unde...

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