Hervé Télémaque: A Hopscotch of the Mind
Colonialism, racism and politics dominate the works in Hervé Télémaque’s intriguing, though oft...
Gerhard Richter: Drawings 1999-2021
In Gerhard Richter's first major London show in a decade, including more than 60 recent works, he de...
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Helsinki Biennial and Helsinki Design Week
For 2021, the inaugural Helsinki Biennial and Helsinki Design Week wore their hearts on their sleeve...
Gijs Van Vaerenbergh – interview: ‘We are always experimenting with th...
The architecturally trained duo Arnout Van Vaerenbergh and Pieterjan Gijs talk about their collabora...
Through sculptures, installations and film, Ghanaian artist Ibrahim Mahama repurposes objects from c...
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Hans Op de Beeck – interview: ‘It’s about suspension of disbelief an...
The artist talks about art-making as catharsis and why, for him, it is all about the creation of vis...
Graham Little – interview: ‘Smallness feels natural to me’
Ahead of his new exhibition at Alison Jacques Gallery, Scottish painter Graham Little talks about th...
Hilda Kortei: Waitless Beyond Blue
Kortei subverts traditional practices, using alternative materials and approaches to the constructio...
A treasure trove of an exhibition unveils Moreau’s wondrous watercolours, not seen in public since...
genuinefake – interview: ‘I use my creative practice to try to start c...
Along Folkestone’s seafront, the artist genuinefake (AKA Rachel Stella Jenkins) has conjured a tem...
As the inaugural exhibition on the new art collectors’ digital platform, Eye of the Huntress, Her ...
Hormazd Narielwalla – interview: ‘True, he’s physically not here, bu...
The artist talks about capturing the essence of David Bowie, through the creation of his trademark p...
Ilana Halperin: There Is a Volcano Behind My House
For one of her largest solo presentations to date, Ilana Halperin brings her multifaceted practice t...
Heather Phillipson: Rupture No 1: Blowtorching the Bitten Peach
This show is a fully sensate experience, a meditation of sorts on the state of the world that turns ...
Idris Khan – interview: ‘There was a struggle making these works’
Idris Khan talks about his new works at Victoria Miro, freaking out in lockdown and encapsulating a ...
Hurvin Anderson – interview: ‘I am looking at where things collide, ho...
The unsettling depictions of nature in Hurvin Anderson’s new paintings, based on photos from a 201...
Grief and Grievance: Art and Mourning in America
Full of the pain of black experience, the works here make the galleries thrum and shimmer with energ...
Harold Offeh – interview: ‘I am always asking: who is not part of the ...
Harold Offeh discusses boredom, curiosity and 1980s pop culture, the influence of punk and hip-hop, ...
Grief and Grievance: Art and Mourning in America – book review
Preceding an exhibition at New York’s New Museum, this book, based on a vision of the late Okwui E...
Genesis, a floating church, by Denizen Works
Elements of care and craftsmanship link Genesis, a floating faith space on a traditional narrowboat,...
Haegue Yang: Strange Attractors
Connections both cosmic and corporeal are woven throughout Haegue Yang’s sculptures, collages and ...
Huma Bhabha – interview: ‘The more complicated and layered the work is...
The artist explains how working for a taxidermist helped her with sculpture, why she is fond of mate...
Héctor Zamora: Lattice Detour (2020)
With its nod to the US-Mexico border wall, Zamora’s installation at the Met raises provocative que...
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Heather Phillipson – interview: ‘I wanted to respond to the loaded pol...
With her sculpture THE END finally installed in Trafalgar Square, after a delay due to Covid-19, and...
Gauguin and the Impressionists
Do we need yet another impressionist exhibition? This Royal Academy showcase of Denmark’s Ordrupga...
Hirose Satoshi: The Earth Is Blue Like a Lemon
The Milan-based Japanese artist’s solo exhibition invites visitors to think about differing cultur...
Parks’s photographs of everyday life for black families in the 1950s and 60s lure the viewer in wi...
Ilona Szalay: Some Are Born to Sweet Delight, Some Are Born to Endless Nig...
Szalay points to the injustices in society, and in her paintings of women bound and petrified as sta...
Hetain Patel – interview: ‘What does it do growing up to see that the ...
Known for performance art that mixes superheroes such as Spider-Man with the Gujarati traditions of ...
Hilarie Mais – interview: ‘I draw what I am working on as a way of und...
The artist talks about her abstract constructions, which lie partway between painting and sculpture,...
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