Glasgow International 2020: Digital Platform

With Scotland’s premier contemporary art biennial postponed to 2021, a digital programme of often ...

Helen Cammock – interview: ‘Creativity requires a space of idleness, o...

Last year’s Turner Prize-winner talks about the inspiration behind her latest film and text instal...

Hans Hofmann – Fury: Painting After the War

A concise exhibition at Bastian captures the German-American painter manoeuvring between modernisms,...

Grayson Perry: The Pre-Therapy Years

If you can move beyond the small size of the venue and the incongruity of hermetically sealed displa...

Gianfranco Zappettini – interview: ‘Painting always survives’

As his first solo exhibition in London opens at Mazzoleni, Zappettini recounts his ease with unconfo...

Huysmans, Art Critic: From Degas to Grünewald, in the Eye of Francesco Ve...

A diverting exhibition at Musée d’Orsay explores the influential art criticism of the quintessent...

In the Land of the Gods. Marc Chagall and the Greek World

This colourful exhibition explores the influences of the Hellenic world and its Bacchanalian myths o...

Hans Haacke: All Connected

Hans Haacke’s “All Connected” at the New Museum is a retrospective featuring his major kinetic...

Hamish Fulton: A Decision to Choose Only Walking

This exhibition of almost 50 years of Fulton’s experience of walking the natural world is a breath...

Hansjörg Mayer – interview: ‘To handle and open and read the books .....

Poet, typographer and publisher Hansjörg Mayer and the computer art pioneer Frieder Nake talk us th...

Hello, Robot: Design Between Human and Machine

From Star Wars’ R2-D2 to a machine that produces compassionate messages for the dying, this is a c...

Garry Fabian Miller: Midwinter Blaze

Using early-19th century techniques, Miller works without a camera, experimenting with light to prod...

Gauguin Portraits

The National Gallery’s autumn blockbuster posits the troublesome post-impressionist firebrand as a...

Holly Hendry – interview: ‘I dabble between formalism and representati...

Just three years after leaving art school, Hendry has already had several high-profile shows. She ta...

Grayson Perry: Super Rich Interior Decoration

From the luxurious carpet depicting a homeless man to the Osprey handbag bearing the words ‘privat...

Helene Schjerfbeck

A striking study of the process of ageing and mortality, the central room of this three-gallery exhi...

Game, Set, Match: Three concepts of the artist’s book

An exhibition of artists’ books, including works by Yves Klein, Andy Warhol and Thomas Hirschhorn,...

Heike-Karin Föll: Speed

In her first institutional solo show, the German artist plays on the fast fickleness of commodificat...

Ima-Abasi Okon

Old air-conditioning units, poor-quality ceiling tiles coated with ultrasound gel and gold – the u...

Issy Wood: All The Rage

Wood’s tragicomic paintings explore the apathetic alienation symptomatic of a networked, throwaway...

Hans Ulrich Obrist – interview: ‘This is an unusual Calder show becaus...

A major Alexander Calder exhibition at Centro Botín in Santander reveals about 80 of the great Amer...

Ibrahim Mahama: Parliament of Ghosts

Through the use of old train seats and other salvaged materials, the Ghanaian artist tells a story o...

Ivon Hitchens: Space Through Colour

This thought-provoking exhibition, the largest on Hitchens since 1989, deftly explores the enigmas o...

Ibrahim El-Salahi – interview: ‘Drawing for me is a kind of meditation...

Using his art as a form of meditation to alleviate chronic back pain, Sudanese artist Ibrahim El-Sal...