Janet Biggs: Like Walking on Mars
In her three new films, Biggs mixes footage of the Mars Desert Research Station in Utah with scenes ...
London 1938: Defending ‘Degenerate’ Art
In 1938, a year after the notorious Nazi exhibition of “degenerate art” in Munich, a counter exh...
Lotte Laserstein: Face to Face
Lotte Laserstein was a rising star of Weimar Berlin, forced to leave her country and abandon her art...
Julie Greve: ‘I don’t like shooting models. They are taught so quickly...
The recent art-school graduate, who was selected to photograph this season's campaign for standout B...
Knock, Knock: Humour in Contemporary Art
From slapstick to sarcasm, parody to political activism, this group show at the South London Gallery...
Loie Hollowell talks about her latest exhibition at Pace Gallery, London, her first solo show in the...
In Munich, the most significant retrospective of the German artist to date, shows her paintings from...
Lily Lanfermeijer: Lost in Depiction
The Dutch sculptor Lily Lanfermeijer discusses tableware, colonial histories and the passing of patt...
The 10th edition of Britain’s largest contemporary art festival explores oppressive structures, en...
Line & Color: The Nature of Ellsworth Kelly, Norton Simon Museum, Pasadena
This exhibition of Kelly’s work seeks to cut to the core of his practice, primarily through two se...
Jacob Hashimoto: ‘The history of art is full of cultural appropriators. ...
The artist talks about The Eclipse, an installation comprising thousands of paper kites, and Never C...
Leonor Antunes: ‘I’m interested in ancient ways of doing things’
The sculptor talks about learning traditional crafts, the Smithsons’ Solar Pavilion, creating an e...
Jene Highstein: Space and Place
Deborah Najar’s carefully considered and sensitive choice of Highstein’s works is accompanied by...
Joana Vasconcelos: I’m Your Mirror
Joana Vasconcelos has filled the Guggenheim Bilbao with work from the past 20 years. She talks about...
John Powers: ‘Abstraction isn’t a technology or technique, it’s more...
Responding to the history of the city of Bruges, John Powers’ 15-metre-tall steel tower was constr...
Katharina Sieverding: ‘I also make fake news’
Part of the collateral programme of this year’s Manifesta Biennial in Palermo is a career-spanning...
Katharina Grosse: Prototypes of imagination
Across 11 portrait canvases and one enormous fabric hanging, Grosse’s complex, multilayered works ...
James Edgar and Sam Walker: ‘We think of Assembly Point as part of our c...
James Edgar and Sam Walker talk about Assembly Point, their co-founded gallery, studio space and pub...
Junya Ishigami: Freeing Architecture
In his attempts to untether architecture from well-worn conventions, the Japanese architect liberate...
Kerstin Brätsch_Ruine / Kaya_Kovo
Brätsch is an artist who works in the afterlife of modern painting, upending its history and mythol...
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Vasconcelos’s solo show offers a riot of colour and texture in this highly personal, curated sculp...
Jane Irish: ‘There is a critical strain about the anti-war movement that...
For the first time in its 200-year history, a mansion in Philadelphia is transformed into a major pu...
Joan Jonas: ‘I often went to magic shows as a child, and the idea of mag...
Joan Jonas talks about her multidisciplinary installation works currently on show at Tate Modern and...
José Parlá: ‘It challenges me to work against the grain of the status ...
For his most ambitious project to date, commissioned by the Landmarks public art programme at the Un...
Lee Lozano: Slip, Slide, Splice
A major figure on the New York art scene of the 1960s and early 70s, Lozano is not so well known the...
The exhibition nth nature, a new body of work by Lilah Fowler, explores feelings of transience and d...
Jedd Novatt: ‘I feel the same tension about the next work as I did 40 ye...
In advance of an exhibition of new works, Novatt talks about his long career making geometric sculpt...
Langlands & Bell – video interview: ‘We like to be catapulted into the...
For a new show at Birmingham’s Ikon gallery, Langlands & Bell have turned their shared gaze on to ...
Lydia Ourahmane – interview: ‘Working with this personal history is so...
Lydia Ourahmane talks about her exhibition at the Chisenhale Gallery, allegiance, betrayal, drawing ...
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