Laura Owens

Laura Owens’s dynamic abstract paintings, accompanied her own quirky audio guide, ensure there is ...

Joel Shapiro: ‘As an artist, you are synthesising the stuff around you i...

The influential American sculptor, now in the fifth decade of his career, brings out his wood wall r...

Leah Raintree – Another Land: After Noguchi

This modest exhibition consists of 10 photographs by Raintree of the work of Isamu Noguchi. Manipula...

Jean Tinguely: Machine Spectacle

From kinetic sculptures to ‘do-it-yourself machines’ and scorched animal skulls to self-destruct...

John Akomfrah – interview: ‘The question of discourse is absolutely ce...

The artist explains the inspirations for his new split-screen film, Auto da Fé, and talks about the...

Jamian Juliano-Villani: The World’s Greatest Planet on Earth

For her first solo public exhibition outside the US, the artist shows a sculptural installation and ...

James Richards: ‘I was really into making an exhibition space where ther...

The artist, who will be representing Wales in Venice (Cymru yn Fenis) at next year’s biennale, tal...

Lucia Nogueira

As this selection of work shows, the sculptures and installations of the Brazilian artist, made from...

Joey Holder: ‘I’d like to see a lot more collaboration between the sci...

The artist shows Studio International around her ‘futuristic medical room’ installation and expl...

Karin Schneider: Situational Diagram

Restricting herself to the abstract and the monochrome, referencing Ad Reinhardt, Mark Rothko and Ba...

James Richards: Requests and Antisongs

Sensory stimulation is privileged over semantics in this tripartite installation of new works by the...

Karen Guthrie: ‘Family history is a hidden pain with lots of people. A f...

Karen Guthrie: ‘Family history is a hidden pain with lots of people. A film can bring those things...

Jeffrey Gibson: ‘I was so angry I washed my canvases in the laundromat’

The artist talks about being any angry young artist, his earlier determination not to be viewed as a...

Li Huasheng: ‘A line is nothing. When I paint a vase, its outline does n...

The Chinese artist is admired for his abstract ink paintings. Here, he explains how a visit to the U...

Judith Wechsler: ‘Film allows, even invites, inclusivity of media. It’...

The American film-maker and art historian discusses her remarkable body of documentaries on art, inc...

Katie Schwab: ‘I like the idea that works can begin to generate their ow...

Keen to learn traditional, craft-based skills, the artist explains why she is drawn to processes whe...

Kate Whiteford: ‘By confronting simple questions, bigger ones emerge. Th...

The artist talks about her new work, now on show at the Mercer Art Gallery in Harrogate, looking at ...

Lamia Joreige: ‘Anything you film in a certain reality at a certain mome...

The artist, one of seven finalists included in the Artes Mundi 7 exhibition, talks about her project...

Jennifer Wen Ma – interview: ‘Throughout history, humans have been try...

Jennifer Wen Ma talks about her new installation, Molar, at Cass Sculpture Foundation, created as a ...

Jeff Koons: Now

For the second exhibition at his gallery in Vauxhall, Damien Hirst presents more than 30 works by Ko...

Katie Paterson: ‘As a child, I used to practise daydreaming’

With her largest UK show to date currently on at the Lowry, the artist talks about the relationship ...

Jules de Balincourt: ‘I can’t be painting bouquets of flowers and pret...

The painter’s uncanny worlds reflect the post-9/11 zeitgeist with a beguiling charm. The world is ...

Lucy Jones: ‘My work is not slick and I struggle to resolve my paintings...

The artist talks about her recent return to making portraits of others, and explains what she sees a...

Kelly Chorpening: ‘The whole relationship between image and object or bu...

Studio International visited Horatio Junior gallery in southeast London to talk to the American arti...