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Published  30/11/-0001
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Joan Semmel – interview: ‘I was simply not excluding those who did not...

With a retrospective at the Pennsylvania Academy of the Fine Arts covering 60 years of work, from he...

Julie Mehretu: Cities in the maelstrom – an essay

Julie Mehretu is known for her vast abstract paintings referencing everything from capitalism and gl...

Lakwena Maciver– interview: ‘I like to think my work will bring hope t...

The London-based artist discusses painting colourful works to counteract life’s grey realities, he...

Julien Creuzet: Too blue, too deep, too dark we sank …

Sculpture, film and music blend in the French-Caribbean artist’s striking exploration of the legac...

Katya Kvasova – interview: ‘People say that whatever someone paints or...

Katya Kvasova talks about her interest in hands, her artistic training, and her method of layering g...

Life Between Islands: Caribbean-British Art 1950s – Now

Featuring 46 artists, this long-overdue examination of the complex interrelationship between the Car...

Khvay Samnang: Calling for Rain – Amartey Golding: Bring Me to Heal

Khvay Samnang uses Cambodian dancers to conjure stories of environmental disaster and recovery, and ...

John Nash: The Landscape of Love and Solace

Remembered for the moving scenes of the first world war John Nash painted as an official war artist ...

Karlo Kacharava: People and Places

The referential, finely wrought paintings and drawings of the rediscovered Georgian artist Karlo Kac...

Lubaina Himid

This is Turner-prize winner Lubaina Himid’s largest solo show to date and it does not disappoint...

Joy Labinjo – interview: ‘When people speak of multicultural London, i...

For her first public commission at Brixton underground station, Joy Labinjo reflects on the importan...

John Abell – interview: ‘I see my work as a type of devotional art’

John Abell talks about Welsh mythology, poets and nationalism, moving between linocut and painting, ...

Jean-Michel Othoniel: The Narcissus Theorem

This show, based on work Othoniel has done with the mathematician Aubin Arroyo, weaves a spell of en...

Laura Knight: A Panoramic View

With more than 160 works, this ambitious retrospective highlights Laura Knight’s considerable achi...

Lucy Stein: Wet Room

Made during pregnancy and the Covid pandemic, these new works explore motherhood, goddess culture an...

Jordan Casteel: There Is a Season

To enter this show is to enter Casteel’s world. Drawn in by her monumental portraits of often marg...

Jacqueline de Jong – interview: ‘I never compromise, no way. I could n...

With the opening of her first major UK solo show in her 60-year career, De Jong talks about her time...

Jasper Johns: Mind/Mirror

Last of the last, with Baldessari gone, of the great philosopher-artists, Jasper Johns is taking a t...

Leiko Ikemura – interview: ‘I think we have this inner life, and this ...

Leiko Ikemura speaks about her exhibition at the Sainsbury Centre, the landscapes within us and why ...

Kenji Hirasawa – interview: ‘I approach the sitter like a guardian ang...

Hirasawa uses a thermal imaging camera to make portraits of people. He explains what drew him to thi...

Jennifer Wen Ma: ‘With the pandemic and the turbulent political situatio...

Jennifer Wen Ma talks about how the Covid lockdown – and increased awareness of social injustice a...

Joan Eardley: Centenary

To mark the centenary of her birth, the Scottish Gallery is hosting a small but impressive exhibitio...

Lynn Hershman Leeson – Twisted; Ed Atkins – Get Life/Love’s Work

The human body provides a jumping-off point for both artists, but while Hershman Leeson’s explorat...

Karla Black – interview: ‘I don’t see culture and nature as separate...

Karla Black, whose sculptures are now on show at the Fruitmarket, Edinburgh, talks about the power o...

James Barnor: Accra/London – A Retrospective

In fashion shoots, studio portraits and street photography, this major survey of the British Ghanaia...

Jakob Kudsk Steensen – interview: ‘There’s so much that we forget in...

Ahead of an enormous new installation in Berlin’s fabled nightclub Berghain, the Danish artist tal...

Kate Atkin – interview: ‘I think about life and death all the time’

On the eve of Floating Heads, a new show at Xxijra Hii in London, Kate Atkin talks about her exotic ...

Jean David Nkot – interview: ‘I want to show that even if every day is...

The artist talks about the development of his practice, and how he uses three distinct layers to add...

Jean Dubuffet: Brutal Beauty

Dubuffet’s curiosity and playfulness with serious and complex ideas shines through in this show, w...

Julian Opie – interview: ‘The work is about how we interpret and read ...

Julian Opie talks about travelling via Google Earth during lockdown, how colour blindness has shaped...

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