Where the word “lust” in the title implies sinful, furtive enjoyment of the destroyed, Ruin Lust...
Raw Vision – 25 Years of Art Brut
We all have private mythologies extracted from our experiences and interests. The extent to which th...
The Alison Jacques Gallery presents the third solo exhibition of Ryan Mosley’s paintings. Through ...
The retrospective of one of the founding artists of Pop Art, Richard Hamilton (1922-2011), inhabits ...
Published in Artforum in 1967, Robert Smithson’s A Tour of the Monuments of Passaic, New Jersey is...
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Rachel Howard is committed to the material properties of paint and the manner in which they can be m...
To mark the start of its 20th year, the Arts Catalyst, an organisation that puts a cultural spin on ...
Project Space: Inverted House – Tina Gverović and Siniša Ilić
Given that we are psychologically programmed to see patterns in randomness, it is little surprise th...
Painting for Stimulation: Guan Jingjing
In his catalogue essay, Painting to Stimulate the Mind: The Painted Art of Guan Jingjing, curator Xi...
Rembrandt - Auerbach: Raw Truth
Titled Raw Truth, the display shows six Auerbachs opposite five Rembrandts. Both artists are central...
Philippe Parreno: Anywhere, Anywhere Out of the World
It is an opportunity most artists would dream of – a carte blanche invitation to transform the mag...
Peter Howson grew up in Glasgow in the 1960s and attended Glasgow School of Art from 1975 to 1979. I...
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Painting Now: Five Contemporary Artists
Including the works of both a Turner prize winner and a nominee, Painting Now brings together five c...
Permission Granted Tania Bruguera’s Immigrant Movement International
In January 2008, the Cuban artist Tania Bruguera puzzled visitors to the Turbine Hall at Tate Modern...
Patricia Johanson: The World as a Work of Art
The landscape artist and architect Patricia Johanson (b1940) occupies a unique position in her chose...
Paul Klee: Making Visible at Tate Modern is an outstanding exhibition of 130 works by one of the mas...
Philomene Pirecki has just been shortlisted for the Max Mara Art Prize for Women. In addition to thi...
In 1981, British painter Patrick Caulfield said: “I like the idea that things have been done in th...
Doig was born in Scotland, worked on oil rigs on the Canadian plains, studied in London, taught in D...
Professor Mechal Sobel discusses her research on Bill Traylor
Studio International spoke with Professor Sobel about her interest in Traylor, the influence of Afri...
![Fabricio Lopez. Oco [Hollow], 2013. Woodcut, 175 x 135 cm. © Fabricio Lopez. Photograph: Everton Ballardin.](/images/articles/l/lopez-fabricio-2013/smallpix/lopez-12xilocorgrande-300.jpg)
Revitalising an old art – Interview with Fabricio Lopez
It is hard to imagine that innovation could be brought to the ancient tradition of printing from woo...
Bringing together local and international photographers and artists, Picturing Derry covers the year...
Belgian painter Paul Delvaux was profoundly influenced by the Surrealists – by Giorgio de Chirico...
Patrick Caulfield and Gary Hume
Two masters of British art, two mini retrospective exhibitions, but held together in Tate Britain’...
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Re-Found: Sara Beazley, Charlotte Hodes, Maria Noel
Re-Found: Sara Beazley, Charlotte Hodes, María Noël presents work that uses a wide range of source...
Hughes' new exhibition at Flowers, Cork Street, includes nine new paintings employing his unique tec...
Pae White: Too Much Night, Again
Inspired by a recent bout of insomnia, using the colours of Black Sabbath’s album cover from Maste...
Placing one rock on top of another is a seemingly simple gesture, and, as the Swiss artistic duo, Pe...
Roy Lichtenstein Retrospective
Lichtenstein: A Retrospective, Tate Modern. If there is one thing that can be said about the work of...
Portraiture In Focus: Irene Barberis, Anita Taylor and Helen Sturgess
To focus on the portrayal of the human form in the 21st century; specifically the portrait requires ...
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