People Make Television

The offbeat East London gallery Raven Row returns with a treasure trove of 1970s participatory TV, p...

Pierre Dunoyer – interview: ‘If the colour is not in its proper place,...

For his first solo exhibition in France in more than three decades, French artist Pierre Dunoyer is ...

Plastic: Remaking Our World

Dundee’s V&A Design explores the fascinating history of this miraculous but now highly controversi...

Paint Like the Swallow Sings Calypso

Paul Dash, Errol Lloyd and John Lyons show their own works alongside those of others from the collec...

Royal Museum of Fine Arts Antwerp reopens after €100m renovation

After 11 years of work, the Royal Museum of Fine Arts Antwerp (KMSKA) has finally opened its doors, ...

Pacing the Void: Rhona Warwick Paterson and Eve Mutso

The wonderment of Paterson’s words and Mutso’s choreography in an amazing atmospheric setting re...

Permindar Kaur – interview: ‘It’s hard to get a balance in the work:...

Sculptor Permindar Kaur talks to Hettie Judah about her playful use of the domestic realm to explore...

Pre-Raphaelites: Drawings and Watercolours

Pre-Raphaelites: Drawings and Watercolours. Tender portraits and works inspired by nature, art and p...

Persones Persons: Biennale Gherdëina 8

Artworks by an eclectic mix of eco-activists and radical thinkers celebrate nature in all its forms,...

Pilvi Takala: Close Watch – Venice Biennale 2022

Close Watch, Pilvi Takala’s multi-channel video at the Finnish Pavilion, is based on her time work...

Rachael Louise Bailey – interview: ‘It’s good to work with something...

From the synthetic detritus of the oyster industry washed up on the Kent coast and the organic softn...

Reframed: The Woman in the Window

From a 3,000-year-old Phoenician ivory relief of a temple prostitute to Rembrandt’s Girl at a Wind...

Pedro Cabrita Reis – interview: ‘Through all these years, I’ve alway...

In the run up to his exhibition in Venice during the 59th Biennale, the internationally renowned Por...

Radio Ballads

Sonia Boyce, Helen Cammock, Rory Pilgrim and Ilona Sagar spent three years working with creative com...

Robert Indiana: Sculpture 1958-2018

This major show, spanning six decades of Robert Indiana’s career, makes clear that there was far m...

Rachel Jones: Say Cheeeeese

Rachel Jones doesn’t want people to make quick judgments on what her works are saying, and the col...

Postwar Modern: New Art in Britain 1945-1965

The Barbican’s craggy, pockmarked concrete walls provide the perfect setting for this rediscovery ...

Per Kirkeby: Geological Messages – Paintings from 1965-2015

Although Per Kirkeby gave up his academic studies in natural history to pursue his art, what is clea...

Reflections from Frieze Los Angeles 2022

From Betye Saar’s recreation of her famous 1983 Los Angeles public mural to work shown by young, e...

Ray Harryhausen: Titan of Cinema

From the skeleton army in Jason and the Argonauts to the Kraken in Clash of the Titans, the monsters...

Petrit Halilaj: Very Volcanic Over This Green Feather

Petrit Halilaj is now a renowned artist who has shown around the world, but this poignant exhibition...

Rhythm and Geometry: Constructivist Art in Britain since 1951

There is some compelling work here, but this could have been a chance to see a century of revolution...

Phyllis Christopher – interview: ‘We had come out, people were dying, ...

The photographer talks about her coming of age in 1990s San Francisco, where, despite the Aids crisi...

Restitution: The Return of Cultural Artefacts – book review

As western nations increasingly give consideration to the repatriation of stolen artefacts, cultural...