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Published  30/11/-0001
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Susie MacMurray – interview: ‘A feather is never just a feather, and a...

Susie MacMurray talks about how she uses art to raise questions rather than make statements, and abo...

Sin

A compact, but rich exhibition at the National Gallery finds moral transgression at the core of west...

Thao Nguyen Phan: Becoming Alluvium

Vietnamese artist Thao Nguyen Phan weaves moving image, lacquer work and watercolour paintings on si...

Toulouse-Lautrec and the Masters of Montmartre

This fantastic exhibition of belle époque posters, by Parisian artists who used developments in col...

The Studio, Vol 1, No 1, April 1893

The Studio: An Illustrated Magazine of Fine and Applied Art was first published in April 1893. It in...

Tim Clark – interview: ‘This set of Hokusai’s drawings is a really i...

The British Museum has just bought 103 newly rediscovered drawings by Hokusai. Tim Clark, the museum...

Stuart Whipps: If Wishes Were Thrushes, Beggars Would Eat Birds

Using installation, photography, film and sound, Stuart Whipps takes us on a journey exploring histo...

Toby Ziegler: The sudden longing to collapse 30 years of distance

In a new series of large geometric works on paper and smaller figurative oil paintings on aluminium,...

The Artist in Time: A Generation of Great British Creatives – book review

With contributions from painters, poets, illustrators and film-makers, including Ralph Steadman, Ras...

Sydney Biennale 2020: Nirin

Forced to close because of the Covid pandemic, the biennale has reopened for an extended period. As ...

Sarah Lucas: Honey Pie

One of the most infamous YBAs returns to London and Sadie Coles with an exultant, expressive refinem...

Sam Lucas – interview: ‘I do not make pretty things: they are conversa...

The artist talks about clay’s therapeutic and expressive qualities, and how her work helps her to ...

Toby Deveson – interview: ‘There is definitely a sense of seeking perf...

The photographer talks about his love of landscapes, his instinctive composition, and that elusive s...

Shirley Wu: hong kong artists, women

The San Francisco-based, data-driven creative Shirley Wu has designed a scrolling mountainscape that...

The Botanical Mind: Art, Mysticism and the Cosmic Tree

Taking our relationship with plants as its starting point, Camden Art Centre’s ambitious exhibitio...

Stefan Brüggemann – interview: ‘The language in the work adapts to th...

The artist explains why he has painted a building in Folkestone in gold leaf and scrawled OK across ...

Sophie Taeuber-Arp

An online exhibition at Hauser & Wirth serves as a fine reintroduction to one of the interwar avant ...

Studio Morison – interview: ‘MOTHER … was made to heal us now, to pr...

The artists talk about their site-specific, timber and straw commission, MOTHER …, for Wicken Fen,...

Tom de Freston – interview: ‘Painting by its very nature is an act of ...

For an artist whose work is bound up with trauma and who suffered the devastating loss of 12 years...

The effects of Covid-19 on Italian museums: interviews with the directors ...

As Italy tentatively enters a less restrictive phase of Europe’s longest lockdown, the leaders of ...

The impact of Covid-19 on art critics

This essay, comprising conversations with UK-based critics looks at the effects of the Covid-19 pand...

The impact of Covid-19 on artists, part 5: the long-term outlook and the g...

In the final instalment of this five-part essay, comprising conversations with artists around the wo...

The impact of Covid-19 on artists, part 4: artistic responses to the coron...

In the fourth instalment of this five-part essay, comprising conversations with artists around the w...

Transparent Things

Video walkthrough of this group exhibition at Goldsmiths Centre for Contemporary Art narrated by cur...

The impact of Covid-19 on artists, part 3: building communities and findin...

In the third part of this five-part essay, comprising conversations with artists around the globe, w...

The impact of Covid-19 on artists, part 2: self-isolation, moving online a...

In the second part of this five-part essay, comprising conversations with multiple artists around th...

The impact of Covid-19 on artists

This five-part essay, comprising conversations with multiple artists around the globe, looks at the ...

Sol Calero, Zora Mann and Shailesh BR at Villa Arson

Three new solo exhibitions resulting from artists’ residencies at Villa Arson explore architecture...

SCAD DeFINE Art 2020

Featuring artists including Marilyn Minter, Derrick Adams and Wong Ping, the Savannah College of Art...

Tomás Saraceno: Aria

Saraceno’s utopian visions for a future without fossil fuel or boundaries – and his admiration f...

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