Archive - Results from #330

Published 30/11/-0001

Kamala Ibrahim Ishag: States of Oneness

Start
Prev
7
8
9
10
11
12
13
14
15
16
Next
End

Sculpture in the City 2015

Now in its fifth year, the public art exhibition Sculpture in the City is showing 14 works by contem...

Stella Ioannou, co-director, Sculpture in the City, London, September 2015. Photograph: Martin Kennedy.

Stella Ioannou: interview

Now in its fifth year, the public art exhibition Sculpture in the City shows contemporary art pieces...

Houndstooth sari by Abraham & Thakore, double ikat silk, Hyderabad, 2011. Photograph courtesy of Abraham & Thakore.

The Fabric of India

Every square inch of fabric in this exhibition has a story to tell, from a sweat-stained talismanic ...

Jerzy Ryszard (Jurry) Zielinski. Bez Buntu (Without Rebellion), 1970. Private collection, courtesy Luxembourg & Dayan. © the Estate of the artist.

The World Goes Pop

In Tate Modern’s latest exhibition, curators Jessica Morgan and Flavia Frigeri make an ambitious a...

Arkady Shaikhet. Express, 1939. Gelatin silver print. Nailya Alexander Gallery, New York.

The Power of Pictures: Early Soviet Photography, Early Soviet Film

This exhibition, which presents many canonical works from 1920s and 30s Russia from public and priva...

Shona Illingworth. Lesions in the Landscape, 2015. Installation view, FACT. Photograph: Jon Barraclough.

Shona Illingworth: ‘Art practice is deeply important in a changing world...

The Danish-born artist Shona Illingworth, whose video and sound installations explore the mystery of...

Tamar Ettun. Cookie Violin, 2014. Mixed media, 17 x 7 x 4 in.

Tamar Ettun: ‘I am using the structure of a religious practice as a fold...

The young Israeli-American sculptor talks about her Orthodox background, her beginnings in art, inte...

Boy & Erik Stappaerts. Polarisation painting, 2015. Varish on laquer on aluminium panel, 181 x 107 x 1.5 cm (71¼ x 42 x ½ in). Collection Stéphane Verbeeck. Photograph: viktorbentley studio.

The Gap: Selected Abstract Art from Belgium

This group exhibition – curated by artist Luc Tuymans – brings together more than 40 works by 15...

Shani Rhys James at Connaught Brown gallery, London, September 2015. Photograph: Martin Kennedy.

Shani Rhys James: ‘I love the luxuriousness of a flower’s abstract sha...

The artist talks about her dramatic paintings, the significance of red and her own particular take o...

Ai Weiwei at the Royal Academy of Arts, London. The first major institutional survey of his work ever held in the UK. September 2015.
Photograph: Martin Kennedy.

The art behind the activist: Adrian Locke talks about Ai Weiwei

A rebel, an iconoclast and a playful symbolist – Ai Weiwei is all these things, but surely history...

The Water Hen, Cricot 2 Theatre, Edinburgh Festival, 1972. Photograph: © Richard Demarco.

Tadeusz Kantor: Inbetween Structures

As two exhibitions celebrate the centenary of the birth of Polish artist and theatre director Tadeus...

Thomas Ruff. neg◊stil_02, 2015 C-Print, 9 3/16 x 10 13/16 in (23.4 x 27.4 cm). Edition 1 of 8. © Thomas Ruff. Image courtesy of the artist and Gagosian Gallery.

Thomas Ruff: Nature Morte

The German photographer known for his forward thinking and experimentation has gone back in time for...

Elaine Cameron-Weir. Found that the effect of manures, drugs, and poisons could be determined within minutes, providing plant control with a new precision. He repeated his tests on metals, administering poisons to tin, zinc, platinum, and obtained
astonishing response which, when plotted on a graph, appeared precisely like those of poisoned, 2015. Brass, alabaster.
Stone dimensions 31.8 x 31.8 x 27.9 cm, overall height 231.1 cm, others variable. © the artist; Courtesy Lisson Gallery, London.

The boys the girls and the political

The Lisson Gallery’s summer show takes a linguistic turn while tapping into the trends of the netw...

Toni Scott talking to Studio International at the opening of DNA – Bloodlines and the Family of Mankind, Arthur M Sackler Museum of Art and Archaeology at Peking University, 6 July 2015. Photo: Martin Kennedy.

Toni Scott: ‘People don’t understand that what’s in the past is stil...

The California-based multimedia artist Toni Scott talks about how, in DNA – Bloodlines and the Fam...

MC Escher. Waterfall, 1961. Lithograph, 38 x 30 cm. Collection Gemeentemuseum Den Haag, The Hague, The Netherlands. © 2015 The MC Escher Company – Baarn, The Netherlands. All rights reserved. www.mcescher.com

The Amazing World of MC Escher

MC Escher was long ignored by galleries and dismissed by critics, yet there is arguably no modern ar...

Roger Vivier (1907–98) for Christian Dior (1905–1957). Evening shoe, beaded silk and leather, France, 1958-60. © Victoria and Albert Museum, London.

Shoes: Pleasure and Pain

Exploring themes of transformation, status and seduction, the V&A’s Shoes: Pleasure and Painis an ...

Thomas Hirschhorn: In-Between

With his latest installation at South London Gallery, Thomas Hirschhorn’s portrayal of destruction...

Susan Cianciolo: if God COMes to visit You, HOW will you know? (the great tetrahedral kite). Installation view (1) at Bridget Donahue, New York. Photograph: Marc Brems Tatti.

Susan Cianciolo: ‘Everything I make is so sacred and it’s all about th...

The artist talks about the Fluxus boxes in her latest exhibition, opening a textile store in Mississ...

Interview with Emma Gifford-Mead at the Sergio Camargo exhibition, Mármore, at Lisson Gallery, London, 22 May – 4 July 2015.

Sergio Camargo: Mármore

Lisson Gallery’s head of exhibitions, Emma Gifford-Mead, talks to Studio International about the i...

Perino del Vaga (1501-47). Holy Family with Saint John the Baptist, 1528-37, Oil on panel, 139.8 x 111.2 cm.

Unfinished … Works from the Courtauld Gallery

Most artists, at some point, are asked, ‘How do you know when a work is finished?’ It’s a surp...

Lateefa bint Maktoum. The Last Look, 2009. Archival print, 100 x 150 cm. Courtesy of the artist.

Sheikha Lateefa bint Maktoum: ‘I am a veiled woman, so it’s a natural ...

The founder of Tashkeel, Dubai’s first public studio space for artists, talks about her hopes for ...

Sophia Narrett. The Rose Ceremony, 2014. Embroidery thread and fabric, 19 x 16 in.

Sophia Narrett: ‘I see the sewing process as akin to drawing’

The artist talks about the process of making her embroideries, why she uses pop culture for source m...

Sarah Lucas: I SCREAM DADDIO at the British Pavilion, Giardini di Castello, Venice, 2015.

Sarah Lucas: I Scream Daddio – Venice Biennale 2015

Sarah Lucas came to prominence in the 90s with the generation of Young British Artists, but it has t...

Tracey Emin at the Leopold Museum in front of Egon Schieles painting Seated Male Nude. Photograph: Leopold Museum, Wien/A. Ludwig.

Tracey Emin | Egon Schiele: Where I Want to Go

In this exhibition, in which Tracey Emin juxtaposes her works with those of her teenage idol Egon Sc...

Shirazeh Houshiary. Allegory of Sight, 2015. Cast painted stainless steel, 43 x 120 x 43 cm. © the artist. Courtesy Lisson Gallery, London.

Shirazeh Houshiary: Smell of First Snow

By playing cunning games with light and perspective, Houshiary has found ways to make her sculptures...

Juergen Teller. Young Pink Kate, London, 1998. C-Print, framed, 45 x 55.5 cm. © Juergen Teller and Christine König Galerie.

Sleepless: The Bed in History and Contemporary Art

This tightly curated and fascinating exhibition brings together nearly 200 pieces featuring beds use...

Robert Colquhoun. Portrait of Robert MacBryde, 1939. Pen and sepia on paper, 28.5 x 22.5 cm. Scottish National Portrait Gallery, Edinburgh.

The Two Roberts: Robert Colquhoun and Robert MacBryde

‘The two Roberts’, as they were known, became a sensation, feted by London galleries, but then t...

Shannon Yee. Reassembled, Slightly Askew. Photograph: Ryan O’Hare.

Shannon Yee: ‘It’s one step better than walking in somebody else’s s...

After a life-threatening brain infection, artist Shannon Yee found herself in hospital paralysed dow...

Theaster Gates. Ground Rules (Free throw possibility), 2014. Wood flooring, 100 1/8 x 147 5/16 x 2 9/16 in (254.3 x 374.1 x 6.5 cm). © Theaster Gates. Photograph © White Cube (Ben Westoby).

Theaster Gates: ‘How do you get people to see things that to them are in...

In his latest exhibition at London’s White Cube Gallery, Artes Mundi prize-winner and social pract...

Sanya Kantarovsky. The Flight: Margarita floated out of the window, where she turned and hit the glass a gentle blow with her hammer. It shattered and cascaded in smithereens down the marble facade on to the street below. Margarita flew on to the next window, 2015. Oil, pastel, watercolour and oilstick on canvas, 180 x 280 cm. Commissioned by Studio Voltaire for How to work together a shared project with Chisenhale Gallery and The Showroom. Courtesy of the artist and Casey Kaplan, New York. Photograph: Andy Keate.

Sanya Kantarovsky: Apricot Juice

Russian artist Sanya Kantarovsky has based this exhibition on Mikhail Bulgakov’s satirical novel T...

Start
Prev
7
8
9
10
11
12
13
14
15
16
Next
End

Home	About Studio
Archive	Yearbooks
Interviews	Contributors
Video	Cybernetic Serendipity
CyberArt	Contact us