logo studio international

Douglas Gordon: Superhumanatural

The film and video artist Douglas Gordon had his first one-man exhibition in Britain at the Lisson G...

<

Art market trends

The Miami Art Fair has surely reached its zenith now that Karen Wright, the formidable Editor of Mod...

Architecture: Zaha Did It

The development of architecture specifically for cancer outpatient healthcare has been pioneered in ...

Brice Marden: A Retrospective of Paintings and Drawings

The work of American painter Brice Marden is currently showing in a major retrospective at the Museu...

Tales of two cities: Berlin, Dresden

These are stirring times for architecture 'watchers' in Germany's two famous cities; Berlin, the cap...

Silence and Connection

The experience of being deaf was integral to the poignant portraits painted by John Brewster Jr. In ...

<

Beijing's 798 Art District

A decade ago, setting up radical art studios in the workshops of a largely abandoned military electr...

David Hockney Portraits

What an artist is trying to do for people is bring them closer to something, because of course art i...

Simply Artful, Simply Functional, Simply Droog

The word 'Droog' (pronounced 'droach' with a hard 'ch' as in the word 'loch') has a number of relate...

David Smith: Personage

In a well-established American tradition of dedicated artists, David Smith the sculptor came to be l...

Treasures of the Ming Dynasty are Unearthed in Jingdezhen

In its recent exhibit of Ming Dynasty porcelains, the Arthur M Sackler Museum of Art and Archaeology...

<

Boom or clunk?

The latest press speculation that the National Lottery will be expected to transfer massive funding ...

Architecture in Scotland 2004-2006: Defining Place

'Architecture in Scotland 2004-2006: Defining Place' is both a book and an exhibition,1 the latter p...

Robert Rauschenberg: Combines

It was only a matter of time before the work of Robert Rauschenberg would again receive a star billi...

Holbein in England

Hans Holbein the Younger was an artist and painter by profession, and a humanist intellectual by inc...

MoMA Sets An Eye On Europe

In any season, New York City is a magnet for anyone connected with the arts. On the roster for its f...

<

In the Playground of a Master Alchemist

Playful and provocative, whimsical and ironic - these are some adjectives that might come to mind wh...

Kandinsky: The Path to Abstraction

For decades, art history taught us that Kandinsky was the greatest pioneer of abstract art, the arti...

Velázquez

The current Vel...

William Hogarth

The great 18th-century caricaturist, William Hogarth, who signed himself 'Britophil', caught the moo...

Breaking the Myths

Amedeo Modigliani's (1884-1920) premature death at the age of 35, as a consequence of bohemian exces...

<

London Fashion Week: Sympathy for the Devil

London Fashion Week coincided very closely with the launch of 'The Devil Wears Prada', starring Mery...

Kerry James Marshall: Along the Way

Finishing its last call on 22 October 2006 was the exhibition entitled 'Along the Way', covering the...

Stirling Prize for Architecture 2006 (RIBA UK)

This month, the architect, Richard Rogers, has attained a summit point in his career in winning the ...

Daniel Buren and his Invention Trajectory

Daniel Buren has had a stimulating and now distinguished continuity in Britain. The arrival of his e...

Frieze Art Fair 2006

The Frieze Art Fair is many things: a spectacle, a film festival, a four-day extravaganza of talks, ...

<

Francis Bacon in the 1950s

The Sainsbury Centre for Visual Arts seems like a fitting starting point for this fascinating tourin...

The Changing Face of Oz

For millions of people, The Wizard of Oz brings to mind the 1939 MGM movie musical starring Judy Gar...

Unmasking the Heroes of American Comic Art

The contemporary comic genre contains many novel and sophisticated artistic expressions. Art Spiegel...

Building an Identity Through Innovation and Change: The Bienal de Sã...

Taking the Venice Biennale as a model, the Bienal de S...



studio international logo
Copyright © 1893–2018 Studio International Foundation.

The title Studio International is the property of the
Studio International Foundation and, together with
the content, are bound by copyright. All rights reserved.
studio international cover 1894
Home About Studio
Archive Yearbooks
Interviews Contributors
Video Cybernetic Serendipity
CyberArt Contact us
twitter facebook RSS feed instagram

Studio International is published by:
the Studio International Foundation, PO Box 1545,
New York, NY 10021-0043, USA