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Picasso Portraits

Picasso’s life and art were shaped by friends, family and lovers, and as this exhibition demonstra...

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Toby Ziegler: ‘In half an hour, you can undo an entire month’s work’

Toby Ziegler explains his processes of painting and sanding, and using Google’s reverse image sear...

Louise Bourgeois: Turning Inwards

The opening room at Hauser & Wirth Somerset has been transformed into a spider’s lair, a fitting s...

Giuseppe Penone: Fui, Sarò, Non Sono

Although he may not initially seem to possess the radicalism of his arte povera contemporaries, the ...

Image Music Text: Andrew Gillespie, Andrew Lacon, Joanne Masding

Nathaniel Pitt explains that he looked to the processes of artists, instead of the subjects of their...

Celia Paul: Desdemona for Hilton by Celia

In an exhibition dominated by self-portraits and seascapes, Celia Paul demonstrates the virtues of s...

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Joey Holder: ‘I’d like to see a lot more collaboration between the sci...

The artist shows Studio International around her ‘futuristic medical room’ installation and expl...

Simon Starling: ‘A little knowledge is a powerful thing, and too much kn...

The Turner Prize-winning conceptual artist underscores his first institutional show in New York with...

Peter Liversidge: ‘My work is solely about engagement’

The artist talks about the significance of his “proposals”, and discusses his recent project at ...

Tom Ellis: ‘Defining yourself in opposition to something else is always ...

The British artist talks about context, subversion and what it means to build a career in the middle...

Susan Webster: ‘Ever since I’ve been young I’ve been obsessed with t...

Maine’s poet laureate Stuart Kestenbaum and artist Susan Webster talk about their recent collabora...

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Michelangelo Pistoletto: ‘The mirror is always part of one unique mirror...

In the startlingly altered states of Blenheim Palace, the multifarious Michelangelo Pistoletto spoke...

Visual Wit and Social Critique. Satire from Goya to Grosz

With three centuries’ worth of satire, this exhibition offers an overview of things that have chan...

Oscar Murillo: through patches of corn, wheat and mud

Canvases appear abandoned on the floor and wet paint suggest a state of un-finish, but the compositi...

Tacita Dean: LA Exuberance

New lithographs, slate drawings and a film of David Hockney, all done by Dean when she was in Los An...

Simon Lewty: ‘I draw only from the imagination’

Lewty, whose work combines fantastic images with text, talks about where his inspiration comes from,...

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Abstract Expressionism

The towering canvases of abstract expressionism crowd the main galleries of the Royal Academy in thi...

Sofia Borges: ‘Photography can be used as a tool to mould our sense of r...

The artist subverts photography, as she strives to ‘rub out meaning’. Instead, she explains, she...

Inside: Artists and Writers in Reading Prison

Since it was founded in 1985, cultural organisation Artangel has made a name for itself staging exhi...

Zhao Zhao: ‘You cannot separate art from politics’

A prominent member of the post-1980s generation of Chinese artists and a former assistant of Ai Wewe...

Karin Schneider: Situational Diagram

Restricting herself to the abstract and the monochrome, referencing Ad Reinhardt, Mark Rothko and Ba...

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Rashid Johnson: Fly Away

This is Johnson at his best. Mirrors, branded wood, black soap, shea butter, cut-up photography – ...

Elpida Hadzi-Vasileva: ‘I am driven by making the impossible possible’

The artist, who makes beautiful works of art using waste products from the meat industry talks about...

Shezad Dawood: Kalimpong

From yeti expeditions to spy shenanigans, the Himalayan hotel in Kalimpong has seen it all. Now, a n...

Surreal Encounters Collecting the Marvellous

A fantastic range of Surrealist works and ephemera displayed in this exhibition shows the mutifacete...

Robert Mapplethorpe: Objects

An enlightening and enriching insight into the juvenilia of the controversial photographer, showing ...

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James Richards: Requests and Antisongs

Sensory stimulation is privileged over semantics in this tripartite installation of new works by the...

Karen Guthrie: ‘Family history is a hidden pain with lots of people. A f...

Karen Guthrie: ‘Family history is a hidden pain with lots of people. A film can bring those things...

Meet the designers doing good this autumn in London

More than 400 events and installations from high-profile designers and rising stars were included in...

Dialogue with Trees: Five Stories of Rebirth and Renewal

To celebrate its 90th birthday, the Tokyo Metropolitan Art Museum is staging an exhibition of works ...



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