logo studio international

Zhao Zhao: ‘You cannot separate art from politics’

A prominent member of the post-1980s generation of Chinese artists and a former assistant of Ai Wewe...

<

Conrad Shawcross: ‘It’s created a skin for the surface of this buildin...

The artist explains his use of the moiré effect in designing an optical cloak for a tall industrial...

Cyril de Commarque: ‘I believe in a new renaissance of thinking’

The French artist has converted a grain barge into an artwork to sail the Thames, blasting out a sou...

Paul Carter: ‘There’s an invitation that only takes you so far’

Entering the gallery, visitors enter a new world – a liminal space, with an empty lift, piss-stain...

Xu Yong: ‘Negatives act as witness’

Twenty-five years after Tiananmen Square, the Beijing-based photographer took the brave decision to ...

Cui Xiuwen: Light

Cui Xiuwen is a conceptual artist best known internationally as a video filmmaker and photographer. ...

<

Alfredo Jaar: A Logo for America

The first UK screening of Chilean artist Alfredo Jaar’s iconic work, A Logo for America, at London...

Francesca Pasquali: ‘I have a contemporary view of art, so I want to dra...

The Bolognese artist uses everyday materials and plastics to replicate natural folds and textures in...

Jennifer Wen Ma: ‘Throughout history, humans have been trying to break i...

The artist talks about her new installation, Molar, at Cass Sculpture Foundation, created as a place...

Claire Shea: ‘We were really keen to look at an expanded definition of s...

As the Cass Sculpture Foundation stages its first exhibition of works commissioned by international ...

Rana Begum: 'I love using readymade materials in the work'

Studio International visited Rana Begum in her studio in north-east London to talk to her about her ...

<

Cory Arcangel: ‘Making art is just basically dowsing’

The Brooklyn-based artist talks about his latest show at the Lisson Gallery in London, billed as ‘...

Elizabeth Price: ‘I’m interested in music and the voice because it bri...

Studio International visited the artist in her studio in south-east London to talk to her about her ...

Charles Richardson: ‘There must be some sort of desire in me to hold ont...

The artist talks about his current show at Exeter Phoenix, collaborating with local artists, the imp...

Bosco Sodi: ‘I like the freedom of letting the mind and soul go on a jou...

Bosco Sodi talks about the two processes in his work: the one where he is in control and the one whe...

Steven Claydon: interview, Art Sheffield 2016

Steven Claydon’s newly commissioned Infra-idol Assembly is set within the vast, bunker-like, top-f...

<

Beatrice Gibson: interview, Art Sheffield 2016

London-based artist Beatrice Gibson’s film F for Fibonacci, at Bloc Projects, evokes the chaos of ...

Mark Fell: interview, Art Sheffield 2016

Mark Fell’s Structural Solutions to the Question of Being is being exhibited at The Link pub on th...

Martin Clark: interview, Art Sheffield 2016

Martin Clark, the director of Bergen Kunsthall, Norway, has created Art Sheffield 2016: Up, Down, To...

Art Sheffield 2016: Up, Down, Top, Bottom, Strange and Charm

For this citywide event, curator Martin Clark aims to inspire a connection between different parts o...

Random International: ‘There is a real collective power in this group of...

Hannes Koch of Random International talks about the collective’s latest project, producing a kinet...

<

Bernard Jacobson: ‘I want to bring people back to art’

The art dealer talks about his current exhibition, Bonheur de Vivre, which he considers ‘a precis ...

Terry Setch: ‘I regarded the beach as a playground – somewhere you can...

The artist explains his practice, recalling memories of the beach at Penarth and his desire to exten...

Three Generations: Passing on the Eyton drive

As they prepare for their first exhibition showing together as a family, Anthony Eyton RA and his sc...

Colin Self: ‘I want to be devoid of the art world and paddle my own cano...

On the occasion of his exhibition at London’s Mayor Gallery, the most singular of British pop arti...

Lin Tianmiao: ‘Thread winding taught me to be patient’

Incorporating weaving, sewing and embroidery into her fine art practice, the multidisciplinary artis...

<

Conrad Shawcross: ‘It looks like a wonder of the world’

The artist talks to Studio International about his new public sculpture, Paradigm, and shows us roun...

Anthony Engi Meacock: ‘Bringing creative practice out of the art bubble ...

The founder member of Assemble, which last year became the first architectural practice to win the T...

Andy Warhol: Works from the Hall Collection

With more than 100 previously unseen works from the Hall Collection, this expertly curated exhibitio...

Collateral Drawing: ‘It’s like revealing the magic trick’

Co-curators and artists from the ongoing Collateral Drawing project reveal insights into their worki...



studio international logo
Copyright © 1893–2017 Studio International Foundation.

The title Studio International is a registered
trademark and, together with the content,
is bound by copyright. All rights reserved.
studio international cover 1894
Home About Studio
Archive Yearbooks
Interviews Contributors
Video Contact us
twitter facebook RSS feed instagram

Studio International is published by:
The Studio International Foundation,
PO Box 1545, New York, NY 10021-0043, USA