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Cory Arcangel: ‘Making art is just basically dowsing’

The Brooklyn-based artist talks about his latest show at the Lisson Galle...

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Elizabeth Price: ‘I’m interested in music and the voice because it bri...

Studio International visited the artist in her studio i...

Charles Richardson: ‘There must be some sort of desire in me to hold ont...

The artist talks about his show at Exeter Phoenix, coll...

Bosco Sodi: ‘I like the freedom of letting the mind and soul go on a jou...

Bosco Sodi talks about the two processes in his work: t...

Steven Claydon: interview, Art Sheffield 2016

Steven Claydon’s newly commissioned Infra-idol Assembly is set within the vast, bun...

Beatrice Gibson: interview, Art Sheffield 2016

London-based artist Beatrice Gibson’s film F for Fibonacci, at Bloc Projects, evok...

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Mark Fell: interview, Art Sheffield 2016

Mark Fell’s Structural Solutions to the Question of Being is being exhibited at The Link...

Martin Clark: interview, Art Sheffield 2016

Martin Clark, the director of Bergen Kunsthall, Norway, has created Art Sheffield 2016:...

Art Sheffield 2016: Up, Down, Top, Bottom, Strange and Charm

For this citywide event, curator Martin Clark aims to inspire a connec...

Random International: ‘There is a real collective power in this group of...

Hannes Koch of Random International talks about the col...

Bernard Jacobson: ‘I want to bring people back to art’

The art dealer talks about his current exhibition, Bonheur de Vivre, whi...

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Terry Setch: ‘I regarded the beach as a playground – somewhere you can...

The artist explains his practice, recalling memories of...

Three Generations: Passing on the Eyton drive

As they prepare for their first exhibition showing together as a family, Anthony Eyto...

Colin Self: ‘I want to be devoid of the art world and paddle my own cano...

On the occasion of his exhibition at London’s Mayor G...

Lin Tianmiao: ‘Thread winding taught me to be patient’

Incorporating weaving, sewing and embroidery into her fine art practice,...

Conrad Shawcross: ‘It looks like a wonder of the world’

The artist talks to Studio International about his new public sculpture...

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Anthony Engi Meacock: ‘Bringing creative practice out of the art bubble ...

The founder member of Assemble, which last year became ...

Andy Warhol: Works from the Hall Collection

“Andy took the world as it was and, in his own way, described it with amazing accurac...

Collateral Drawing: ‘It’s like revealing the magic trick’

Co-curators and artists from the ongoing Collateral Drawing project...

Rose English: ‘Improvisation is present always, making anything’

The artist talks about her collaboration with composer Luke St...

An artist who is changing sculpture: Katrina Palmer

Lisa Le Feuvre, the head of sculpture studies at the Henry Moore Institute, tel...

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Paul Huxley: ‘I have more fun making sculpture than making paintings, bu...

The artist talks about his career, from visiting Robert...

Amelia Critchlow & Evy Jokhova: ‘The conversation, in many ways, will pr...

The artists talk about their year-long collaboration an...

Elisabeth Frink: The Presence of Sculpture

Focusing, for the first time, on the challenges of making work, on the one hand privatel...

Liu Ye: ‘Dick Bruna is more important to me than Da Vinci’

The Beijing-based artist on how seeing Bruna’s Miffy was seeing hi...

Naufus Ramírez-Figueroa: ‘I just create works that give a sensation of ...

The artist talks about his current exhibition, God’s ...

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Alice Cunningham: ‘The quarries were my biggest inspiration’

The artist talks about her experience of learning to work with mar...

Ben Johnson: the making of Patio de los Arrayanes

We visited Ben Johnson in his west London studio over a 12-month period to film h...

Zhan Wang – studio tour

The Beijing-based artist showed Studio International around his studio

Zhan is a photographer and v...

Zhan Wang: ‘I have been continually influenced by Michelangelo, Rodin an...

The Beijing-based artist is a photographer and video ar...



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