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Colin Self: ‘I want to be devoid of the art world and paddle my own cano...

On the occasion of his exhibition at London’s Mayor Gallery, the most singular of British pop arti...

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Lin Tianmiao: ‘Thread winding taught me to be patient’

Incorporating weaving, sewing and embroidery into her fine art practice, the multidisciplinary artis...

Conrad Shawcross: ‘It looks like a wonder of the world’

Conrad Shawcross talks to Studio International about his new public sculpture, Paradigm, and shows u...

Anthony Engi Meacock: ‘Bringing creative practice out of the art bubble ...

The founder member of Assemble, which last year became the first architectural practice to win the T...

Andy Warhol: Works from the Hall Collection

With more than 100 previously unseen works from the Hall Collection, this expertly curated exhibitio...

Collateral Drawing: ‘It’s like revealing the magic trick’

Co-curators and artists from the ongoing Collateral Drawing project reveal insights into their worki...

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Rose English: ‘Improvisation is present always, making anything’

The artist talks about her collaboration with composer Luke Stoneham and a troupe of Chinese acrobat...

An artist who is changing sculpture: Katrina Palmer

Lisa Le Feuvre, the head of sculpture studies at the Henry Moore Institute, tells the fascinating ta...

Paul Huxley: ‘I have more fun making sculpture than making paintings, bu...

The artist talks about his career, from visiting Robert Motherwell and Lee Krasner in New York in th...

Amelia Critchlow & Evy Jokhova: ‘The conversation, in many ways, will pr...

The artists talk about their year-long collaboration and how they learned from each other’s differ...

Elisabeth Frink: The Presence of Sculpture

Focusing, for the first time, on the challenges of making work, on the one hand privately and, on th...

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Liu Ye: ‘Dick Bruna is more important to me than Da Vinci’

The Beijing-based artist on how seeing Bruna’s Miffy was seeing himself in a mirror, and why the m...

Naufus Ramírez-Figueroa: ‘I just create works that give a sensation of ...

The artist talks about his current exhibition, God’s Reptilian Finger, and the inspiration he drew...

Alice Cunningham: ‘The quarries were my biggest inspiration’

The artist talks about her experience of learning to work with marble from Michelangelo’s preferre...

Ben Johnson: the making of Patio de los Arrayanes

We visited Ben Johnson in his west London studio over a 12-month period to film him working on a lar...

Zhan Wang – studio tour

The Beijing-based artist showed Studio International around his studio...

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Zhan Wang: ‘I have been continually influenced by Michelangelo, Rodin an...

The Beijing-based artist is a photographer and video artist, although he is best known for sculpting...

Ayakamay: ‘I’m a street performer’

American-born Japanese artist Ayakamay came to London this month to perform at Hoxton’s Red Galler...

Martino Gamper: British Art Show 8

Martino Gamper is a London-based Italian designer who describes his artisanal approach as "conceptua...

Rachel Maclean: British Art Show 8

Feed Me is the first feature-length film work by Scottish artist Rachel Maclean. With Maclean playin...

Ryan Gander: British Art Show 8

Ryan Gander, who lives and works in Suffolk and London, is displaying a range of works including scu...

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Laure Prouvost: British Art Show 8

Laure Prouvost, the London-based French artist who won the 2013 Turner Prize, is showcasing three of...

Ciara Phillips: British Art Show 8

Ciara Phillips – one of last year’s Turner Prize nominees – is a Glasgow-based Canadian artist...

Derek Boshier: ‘I think I’ve turned from pop artist to popularist’

The artist rails against technology and right-wing newspapers, tells of his aspirations to create an...

British Art Show 8

Now in its eighth year, the British Art Show is the largest and most ambitious touring exhibition of...

Sculpture in the City 2015

Now in its fifth year, the public art exhibition Sculpture in the City is showing 14 works by contem...

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What Do I Need to do to Make It OK?

Curator Liz Cooper discusses this exhibition at London’s Pumphouse Gallery, which investigates rep...

Matthew Darbyshire: ‘If I can’t get hold of what I want, I’ll fake i...

The artist talks about design and consumer culture, the role of colour as a democratiser, the need t...

Anj Smith: ‘The figure is a device on which to hang my concerns’

The artist talks about the collapsing of genres, her desire to portray identity post gender and pain...

YARAT: The Union of Fire and Water – Venice Biennale 2015

The Union of Fire and Water presents a historical and cultural superimposition of Baku and Venice as...



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