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Dóra Maurer: ‘My work has been based on change, shifting, traces, tempo...

As a new exhibition surveys her 50-years career, the Hu...

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Almuth Tebbenhoff: ‘I’m wrestling with ideas that are way out of my co...

The sculptor talks about the perpetual puzzle of the co...

Anthony McCall: ‘I wondered if it would be possible to make a film that ...

The artist, a key figure in the avant-garde London Film...

Cory Arcangel: ‘Making art is just basically dowsing’

The Brooklyn-based artist talks about his latest show at the Lisson Galle...

Katie Paterson: ‘As a child, I used to practise daydreaming’

With her largest UK show to date currently on at the Lowry, the ar...

Elizabeth Price: ‘I’m interested in music and the voice because it bri...

Studio International visited the artist in her studio i...

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Stephen Prina: ‘The exhibition was really about considering whether I co...

The post-conceptual artist talks about his hometown, st...

David Claerbout: ‘I sculpt in duration’

The artist talks about duration, place and history in his practice, and how he sees his...

Martine Syms: ‘I am interested in the idea of the gulf between your live...

The Los Angeles-based artist talks about semiotics, fun...

Gillian Wearing: ‘I don’t have any typical practice. Every project is ...

The artist talks about the ideas behind her latest film...

Sara Greenberger Rafferty: ‘What is more essential than how one faces th...

The multimedia artist talks about constructing the self...

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Charles Richardson: ‘There must be some sort of desire in me to hold ont...

The artist talks about his show at Exeter Phoenix, coll...

Jules de Balincourt: ‘I can’t be painting bouquets of flowers and pret...

The painter’s uncanny worlds reflect the post-9/11 ze...

Bosco Sodi: ‘I like the freedom of letting the mind and soul go on a jou...

Bosco Sodi talks about the two processes in his work: t...

Asya Dodina and Slava Polishchuk: ‘Material dictates the way you relate ...

The Russian immigrant artists talk about the difference...

Steven Claydon: interview, Art Sheffield 2016

Steven Claydon’s newly commissioned Infra-idol Assembly is set within the vast, bun...

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Beatrice Gibson: interview, Art Sheffield 2016

London-based artist Beatrice Gibson’s film F for Fibonacci, at Bloc Projects, evok...

Mark Fell: interview, Art Sheffield 2016

Mark Fell’s Structural Solutions to the Question of Being is being exhibited at The Link...

Martin Clark: interview, Art Sheffield 2016

Martin Clark, the director of Bergen Kunsthall, Norway, has created Art Sheffield 2016:...

Art Sheffield 2016: Up, Down, Top, Bottom, Strange and Charm

For this citywide event, curator Martin Clark aims to inspire a connec...

François Morellet: ‘Art is frivolous even when it takes itself seriousl...

Two exhibitions, at London’s Mayor Gallery and Annely...

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Random International: ‘There is a real collective power in this group of...

Hannes Koch of Random International talks about the col...

Lucy Jones: ‘My work is not slick and I struggle to resolve my paintings...

The artist talks about her recent return to making port...

Todd Oldham: ‘I wasn’t very fashionable, so it was to our advantage th...

The New York-based designer talks about designing $10,0...

Arnaldo Pomodoro: 'Sculpture is the appropriation of one’s own space wit...

As Italian sculptor Arnaldo Pomodoro has his first Lond...

Philip Pearlstein: ‘I decided I didn’t want to express other artists...

The American artist has pursued an independent path for...

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Bernard Jacobson: ‘I want to bring people back to art’

The art dealer talks about his current exhibition, Bonheur de Vivre, whi...

Comix Creatrix: 100 women making comics

This is a groundbreaking exhibition of female comics artists, from Hogarth’s contemporary...

Terry Setch: ‘I regarded the beach as a playground – somewhere you can...

The artist explains his practice, recalling memories of...

Kelly Chorpening: ‘The whole relationship between image and object or bu...

Studio International visited Horatio Junior gallery in ...



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