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Judy Chicago: ‘I’ll leave it to others to change the world’

The artist talks about her career trajectory, the continuing need...

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Jonas Mekas: ‘I have a need to film small, almost invisible daily moment...

The legendary independent film-maker talks about avant ...

Jennifer Campbell and Chloë Manasseh: ‘We’re both interested in the t...

The artists talk about how they explore the conflicting...

Wilmer Wilson IV: ‘Moving between mediums is my way of remaining nimble...

The artist explains some of his performances, his inter...

Hank Willis Thomas: ‘Ideas crop up out of thin air, like bubbles, and I...

The artist talks about grabbing people’s attention to...

Anna Dumitriu: ‘Bacteria are living organisms that you can work with –...

Not many artists would want to work with bacteria, smel...

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Vincent Meessen: ‘In the western world, we still think that we created e...

Eleven artists come together to reflect on colonialism ...

‘Oswaldo Vigas said he found the root of his work in ancient culture’

At an exhibition of Oswaldo Vigas’s work in Bogotá, hi...

Larry Bell: ‘You have to trust what you’re doing, to trust the work’

The artist discusses his latest solo exhibition, at the ...

Charles Lim: ‘It’s very easy to see the sea as a sublime space where y...

With his sailing background, Charles Lim explains, he s...

HeHe: ‘Pylons are quite beautiful structures in themselves. They’re li...

Helen Evans, half of the artistic duo known as HeHe, sp...

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Richard Long: Time and Space

Fifteen years after Richard Long’s last exhibition of any scale in his native Bristol, he is the Arn...

Charles Gaines: ‘I am dealing in the area of how meaning is formed’

The US conceptual artist and educator talks about why he be...

Toni Scott: ‘People don’t understand that what’s in the past is stil...

The California-based multimedia artist Toni Scott talks...

Eloise Hawser: ‘This machine is all about contact and resistance’

The artist explains the complex mechanisms of a cinema organ ...

Hannah Collins: ‘Most of my work is a line between culture and the world...

The British artist known for her large, unframed photog...

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Alinka Echeverria: ‘As soon as you lift up the camera, you make the othe...

The photographer talks about her work looking at politi...

Emma Cousin: ‘Humour is the most important thing’

Studio International visited Transition Gallery in east London to speak to Co...

Nathan Cash Davidson: ‘I’m two different artists in the same person’

The artist discusses his current exhibition at the Hanna...

Helen Sear: ‘It’s almost like the landscape is imprinted on the figure...

In her exploration of mortality and temporality, the ar...

Jeanne Masoero: ‘My work is about trying to find structures, a kind of c...

The artist explains how her interest in the Mayan civil...

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Susan Cianciolo: ‘Everything I make is so sacred and it’s all about th...

The artist talks about the Fluxus boxes in her latest e...

Sergio Camargo: Mármore

Sergio Camargo (1930-90) was a prominent artist in Rio de Janeiro, where he was born, and gained internati...

Mark Fairnington: ‘The work I do with scientists echoes their speculatio...

The artist talks about his work researching natural his...

Herman de Vries: ‘My guru is a squirrel’

The artist, whose work spreads far beyond the confines of the Rietveld pavilion, expla...

Sheikha Lateefa bint Maktoum: ‘I am a veiled woman, so it’s a natural ...

The founder of Tashkeel, Dubai’s first public studio ...

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Sophia Narrett: ‘I see the sewing process as akin to drawing’

The artist talks about the process of making her embroideries, wh...

Patricia Cronin: 'A silent protest can be quite powerful'

The artist talks about Shrine for Girls, her installation at the Venice B...

Geoffrey Eastop: ‘The character of the mark describes the object’

Geoffrey Eastop – his creative legacy. Studio international...

Eileen Cooper: ‘Artists are real sponges. We take things and absorb them...

The artist talks about having a retrospective at the Ro...



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