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Charles Lim: ‘It’s very easy to see the sea as a sublime space where y...

With his sailing background, Charles Lim explains, he sees the sea as ‘just an office’. His 10-y...

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HeHe: ‘Pylons are quite beautiful structures in themselves. They’re li...

Helen Evans, half of the artistic duo known as HeHe, speaks about their current work for the Bruges ...

Richard Long: Time and Space

Fifteen years after Richard Long’s last exhibition of any scale in his native Bristol, he is the A...

Charles Gaines: ‘I am dealing in the area of how meaning is formed’

The US conceptual artist and educator talks about why he believes art should be interested in knowle...

Toni Scott: ‘People don’t understand that what’s in the past is stil...

The California-based multimedia artist Toni Scott talks about how, in DNA – Bloodlines and the Fam...

Eloise Hawser: ‘This machine is all about contact and resistance’

The artist explains the complex mechanisms of a cinema organ and its colour-changer to Studio Intern...

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Hannah Collins: ‘Most of my work is a line between culture and the world...

The British artist known for her large, unframed photographs talks about her latest exhibition at th...

Alinka Echeverria: ‘As soon as you lift up the camera, you make the othe...

The photographer talks about her work looking at political and religious beliefs, including a visit ...

Emma Cousin: ‘Humour is the most important thing’

Studio International visited Transition Gallery in east London to speak to Cousin about painting, in...

Nathan Cash Davidson: ‘I’m two different artists in the same person’

The artist discusses his current exhibition at the Hannah Barry Gallery, his interest both in recrea...

Helen Sear: ‘It’s almost like the landscape is imprinted on the figure...

In her exploration of mortality and temporality, the artist seeks to disrupt the single-point perspe...

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Jeanne Masoero: ‘My work is about trying to find structures, a kind of c...

The artist explains how her interest in the Mayan civilisation led her to use layers in her work. Ty...

Susan Cianciolo: ‘Everything I make is so sacred and it’s all about th...

The artist talks about the Fluxus boxes in her latest exhibition, opening a textile store in Mississ...

Sergio Camargo: Mármore

Sergio Camargo (1930-90) was a prominent artist in Rio de Janeiro, where he was born, and gained int...

Mark Fairnington: ‘The work I do with scientists echoes their speculatio...

The artist talks about his work researching natural history collections, how he crosses the divide b...

Herman de Vries: ‘My guru is a squirrel’

The artist, whose work spreads far beyond the confines of the Rietveld pavilion, explains why he loo...

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Sheikha Lateefa bint Maktoum: ‘I am a veiled woman, so it’s a natural ...

The founder of Tashkeel, Dubai’s first public studio space for artists, talks about her hopes for ...

Sophia Narrett: ‘I see the sewing process as akin to drawing’

The artist talks about the process of making her embroideries, why she uses pop culture for source m...

Patricia Cronin: 'A silent protest can be quite powerful'

The artist talks about Shrine for Girls, her installation at the Venice Biennale that commemorates t...

Geoffrey Eastop: ‘The character of the mark describes the object’

Geoffrey Eastop – his creative legacy. Studio international visited Ecchinswell in Hampshire – t...

Eileen Cooper: ‘Artists are real sponges. We take things and absorb them...

The artist talks about having a retrospective at the Royal Academy at the same time as showing in it...

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Lynette Yiadom-Boakye: ‘Maybe I’m not as interested in people as I tho...

The artist, whose latest exhibition, Verses After Dusk, is on at the Serpentine Gallery, London, tal...

Chloe Dewe Mathews: ‘I wanted to bring the viewer in, so they become par...

Chloe Dewe Mathews’s Tate commission, Congregation, looks at south London’s African churches, ca...

Sarah Lucas: I Scream Daddio

Sarah Lucas came to prominence in the 90s with the generation of Young British Artists, but it has t...

Cecily Brown: ‘In a way you can see things more clearly when they’re s...

The artist talks about her latest exhibition, The English Garden, explains why it is a lot harder to...

On My Way

As a parallel event to the Venice Biennale, a group of artists from Russia present an exhibition tha...

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Rachel Maclean: ‘I’m taking and contributing to the weird recycled eco...

The artist talks about taking her inspiration from YouTube and LolCats to Britney Spears and Scottis...

Jake Chapman: ‘Show me a Hitler and I’ll draw on it’

Having unveiled the sinister Sturm und Drang at Ekebergparken Sculpture Park, Oslo, one half of arti...

Rafaël Rozendaal: ‘I see the same intensification of reality in Mondria...

The artist, who now has hundreds of websites to his name, talks about using the internet as his canv...

BGL: ‘In our installation, people play with money, and we like this game...

Canadian art collective BGL makes art that is playful and provocative, using irony and parodic inter...



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