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Christopher Le Brun interview: ‘From the drama of the image in my earlie...

Royal Academy president Christopher Le Brun has produced 33 new canvases for his solo show at Friedm...

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Sally Smart: interview

Sally Smart, known for her large-scale installations, talks about her recent project, The Pedagogica...

Vânia Mignone: interview

In this conversation with Studio International about her first retrospective, titled Scenarios, at t...

Rafael Lozano-Hemmer: interview

Famous for his interactive installations for public spaces, Rafael Lozano-Hemmer talks about his unu...

Will Maclean and Marian Leven: interview

An Suileachan is an art project on the Isle of Lewis, by Will Maclean and Marian Leven, that reflect...

Folkestone Triennial

Folkestone Triennial 2014: video interviews with curator Lewis Biggs, Alastair Upton, chief executiv...

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rootoftwo: interview

The work of rootoftwo also responds to anxiety, but by measuring social media and people’s respons...

Emma Hart: interview

Emma Hart’s work is full of anxiety. Located in an empty domestic space on Tontine Street, Folkest...

Pablo Bronstein: interview

Pablo Bronstein, whose Sketches for Regency Living graced the walls of the ICA in London this summer...

Jyll Bradley: interview

Jyll Bradley, a native of Folkestone, has returned to the town to create a wonderful homage to the K...

Alex Hartley: interview

Fresh from his incredible journey with Nowhereisland, Alex Hartley speaks to us from his lookout ato...

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Lewis Biggs: interview

Lewis Biggs is this year’s curator of the Folkestone Triennial, invited to join after 11 years as ...

Alastair Upton: interview

Alastair Upton is chief executive of The Creative Foundation, an independent visionary arts charity ...

Dashiell Manley interview: ‘I approach most projects as if making a film...

Los Angeles-based artist Dashiell Manley talks about The Great Train Robbery, explains why he sees h...

Stephen Farthing: interview

Stephen Farthing, Rootstein Hopkins Chair of Drawing, talks to Janet McKenzie about his obsession wi...

Mark Soo interview: ‘The object of observation changes by being observed...

Multimedia artist Mark Soo tells A Will Brown about his interest in the interconnection of elements,...

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Ed Atkins: interview

Anna McNay spoke to Ed Atkins about his current exhibition at the Serpentine Sackler Gallery, where ...

Lisa Corinne Davis: interview

Lisa Corinne Davis talks to Lilly Wei about her multilayered, map-like paintings, the complex relati...

Anita Taylor: interview

Anita Taylor, dean of Bath School of Art and Design at Bath Spa University and the founder of the Je...

Calum Colvin: interview

Calum Colvin talks to Christiana Spens about the influences behind his art and photography, his feel...

Rose Wylie: interview

Studio International visited the painter Rose Wylie in her studio in Kent, to see the new paintings ...

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Wendy White: interview

Madrid Me Mataat Arts + Leisure is New York-based painter Wendy White’s homage to the Galería Mor...

Bartosz Beda: interview

Bartosz Beda is a rising star whose torrid paintings reflect social anxieties, with and a keen eye t...

Gustav Metzger: interview

Studio International was lucky enough to meet Metzger in his London Fields studio. After a brief cha...

Fiona Banner: interview

This new body of work at PEER is a collaboration between the artist Fiona Banner and the Magnum phot...

Lucía Pizzani: interview

The Worshipper of the Image is the first solo show in London held by the Venezuelan artist Lucía Pi...

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Charlotte Hodes: interview

In The Grammar of Ornament: New Paper Cuts and Ceramics, artist Charlotte Hodes takes as her cue the...

Shaun McDowell: interview

Save Yourself! is an exhibition of small-scale drawings by seven artists from different generations,...

Ben Quilty: interview

Ben Quilty’s first solo London show opened at the Saatchi Gallery on 4 July, celebrating his winni...

Joe Winkelman: interview

Joe Winkelman is one of the UK’s leading printmakers, specialising in intaglio since 1975. From 19...



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