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Maisie Broadhead: ‘I was quite happy to be fraudulent’

The photographer and jewellery-maker talks about her latest show, Peepers at Brighton’s Royal Pavi...

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Franklin Sirmans: ‘You should be able to smell, hear and taste New Orlea...

Franklin Sirmans, artistic director of the New Orleans biennial Prospect.3: Notes for Now, on the bo...

Steven Appleby: interview

Studio International visited the artist Steven Appleby's studio in south London. Appleby, whose work...

Faig Ahmed: ‘Collision of old and new is one of the concepts in my works...

The Azerbaijani artist Faig Ahmed talks about his exhibition Fluid Forms, how he reinterprets the pr...

Roxy Paine interview: ‘The best ideas come out of long gestation’

Roxy Paine’s Checkpoint is the latest of his meticulously crafted dioramas. He talks about how he ...

Adeline de Monseignat: interview

Dutch-Monagesque artist Adeline de Monseignat’s work is greatly influenced by Sigmund Freud’s co...

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Marni Kotak interview: ‘I wanted to have my son’s birth as a performan...

US artist Marni Kotak talks about her performance of everyday events in real life as way to raise aw...

E.V. Day interview: ‘I stiffened 200 thongs to look like jet fighters an...

Best-known for her 3D installations, artist EV Day talks about using Barbie dolls, ripped clothing, ...

Hayal Pozanti interview: ‘Materials and processes are pushing the bounda...

New York-based painter Hayal Pozanti talks about her invented alphabet, working with digital media, ...

Christian Thompson interview: ‘My work does not need to be read through ...

Christian Andrew William Bumbarra Thompson (born 1978) belongs to the Bidjara Indigenous people of c...

Piotr Uklański interview: ‘I think of death all the time’

The New York-based Polish artist Piotr Uklański talks about the influence of the second world war o...

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Nathaniel Prottas interview: ‘Often museum didactics get in the way of p...

Nathaniel Prottas, director of education at the Museum of Biblical Art in New York, talks about publ...

Michelle Grabner interview: ‘My family is an important part of my life a...

American conceptual artist Michelle Grabner talks about how she combines her roles as artist, curato...

John Keane interview: ‘Art shouldn’t be sensationalist, but at the sam...

John Keane, artist in residence at the University of St Andrews, talks about the political influence...

Natalia Kolodzei interview: ‘My dream is that every American museum has ...

Natalia Kolodzei, executive director of the Kolodzei Art Foundation, talks about her family collecti...

Peter Sacks interview: ‘Every painting has its own secret story’

Peter Sacks, a South African expatriate, has a biography that is as rich and varied as the art he pr...

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Ed Fornieles interview: ‘If you want access to the site, it’s a trade ...

For his show at the Chisenhale Gallery,Ed Fornieles has created a suburban Los Angeles television se...

Aleah Chapin: interview

American artist Aleah Chapin has had huge success early in her career. On graduating from the New Yo...

Glenn Adamson interview: ‘Webb saw clearly that human connection was the...

As New York’s Museum of Arts and Design celebrates its founder, Aileen Osborn Webb, with a superb ...

Glenn Ligon: interview

Glenn Ligon, who was born in 1960, is famed for his thought-provoking works, which combine text, sil...

Zarouhie Abdalian interview: ‘It’s important for work to be challengin...

Zarouhie Abdalian is an artist who works with a wide array of materials, ideas and contexts, frequen...

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Richard Demarco interview: ‘The art world, like the Edinburgh festival i...

Richard Demarco has organised exhibitions and theatre events for the Edinburgh festival since 1963. ...

DALeast interview: ‘I’m constantly thinking about creating something m...

The figures in Chinese artist DALeast’s paintings don’t look as if they are either coming or goi...

Deb Covell interview: ‘I want to show how far painting can be pushed’

Deb Covell (b1966) is a painter who seeks to celebrate the material qualities of paint. Rejecting pi...

Anne Graham interview: ‘The ability to see things as if for the first ti...

Anne Graham currently has two exhibitions of sculpture in Sydney, which indicate the many layers of ...

GW Bot interview: ‘Living and working in Australia has meant coming to t...

GW Bot lives in Canberra, Australia’s bush capital, with the Brindabella Range on one side and sub...

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Nanda Vigo: interview

A pioneer in modern Italian art, Nanda Vigo has continually skirted the confines of design, architec...

Nico van der Endt interview: ‘Willem van Genk was a visionary, a man dis...

Willem van Genk, one of the most fascinating outsider artists, is featured in a new exhibition at th...

Mwangi Hutter interview: ‘we are interested in personal and universal re...

Berlin and Nairobi-based artist duo Mwangi Hutter talk about their work as a collaborative, how they...

Xavier Mascaró interview: ‘I’m a sculptor, because I want to leave so...

Latin American sculptor Xavier Mascaró talks about his obsession with presence and absence in his w...



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