logo studio international

Jeffrey Gibson: ‘I was so angry I washed my canvases in the laundromat’

The artist talks about being any angry young artist, hi...

<

Mårten Lange: ‘I wanted to make a story about something beyond the reac...

The photographer talks about his lifelong fascination w...

Paul Carter: ‘There’s an invitation that only takes you so far’

Entering the gallery, visitors enter a new world – a li...

Li Huasheng: ‘A line is nothing. When I paint a vase, its outline does n...

The Chinese artist is admired for his abstract ink pain...

Judith Wechsler: ‘Film allows, even invites, inclusivity of media. It’...

The American film-maker and art historian discusses her...

Regine Bartsch: ‘I’m drawn to these places where many people have live...

In her studio in southern Ireland, the German-born arti...

<

Katie Schwab: ‘I like the idea that works can begin to generate their ow...

Keen to learn traditional, craft-based skills, the arti...

Xu Yong: ‘Negatives act as witness’

Twenty-five years after Tiananmen Square, the Beijing-based photographer took the brave dec...

Raqib Shaw: ‘I really don’t give a fuck about the so-called contempora...

In his converted home and studio in south London, surro...

Dana Schutz: ‘I think of the viewer as the painter’

The artist talks about deciding to become a painter when she was 14, how Al...

Michael Joo: ‘I was taken by the fact that there was a space that was in...

The New York-based conceptual artists talks about growi...

<

Kate Whiteford: ‘By confronting simple questions, bigger ones emerge. Th...

The artist talks about her new work, now on show at the...

Alice Channer: ‘The area in between the subject and the object is the ar...

The artist, who used everything from cigarette ash to m...

Cui Xiuwen: Light

Cui Xiuwen is a conceptual artist best known internationally as a video film-maker and photographer. A creator of...

Winifred Knights (1899-1947)

Knights was a prodigious talent, yet she has been virtually ignored for the past half a century. Now, ...

Lamia Joreige: ‘Anything you film in a certain reality at a certain mome...

The artist, one of six finalists included in the Artes ...

<

This is a Voice

This intriguing exhibition attempts to capture the elusive nature of the human voice, with live performances by sou...

Tim Slade: ‘The whole point about erasure is to allow you to pretend tha...

The Destruction of Memory charts the global loss of his...

Mariko Mori: ‘The ring is a symbol of oneness, completeness and eternity...

The artist talks about her mission to place site-specif...

Francesca Pasquali: ‘I have a contemporary view of art, so I want to dra...

The Bolognese artist uses everyday materials and plasti...

Marie Yates: ‘In my view, everything is textual, and a text is visual’

A woman artist working conceptually with the landscape s...

<

Jennifer Wen Ma: ‘Throughout history, humans have been trying to break i...

The artist talks about her new installation, Molar, at ...

Philip Hunter: ‘I’ve developed an approach to painting that emulates t...

The Australian artists talks about the influence of Sid...

Rana Begum: 'I love using readymade materials in the work'

Studio International visited Rana Begum in her studio in north-east Lond...

Georgiana Houghton: Spirit Drawings

She was an abstract painter out of time, a visionary and a maverick, but Georgiana Houghton was...

<

Yun-Fei Ji: ‘I’m pessimistic about China’

He may use scrolls and work in ink in the millennial-old tradition of Chinese lands...

Manolo Valdés: ‘I only like apples if they look like Cezanne’s apples...

Like a magpie, taking fragments from works of art that ...

Harland Miller: ‘Brevity is no strength of mine’

The writer and artist discusses Berlin, Bowie and alter egos, his show with Bl...

Dóra Maurer: ‘My work has been based on change, shifting, traces, tempo...

As a new exhibition surveys her 50-years career, the Hu...



studio international logo
Copyright © 1893–2017 Studio International Foundation.

The title Studio International is the property of
the Studio Trust and, together with the content,
are bound by copyright. All rights reserved.
studio international cover 1894
Home About Studio
Archive Yearbooks
Interviews Contributors
Video Contact us
twitter facebook RSS feed instagram

Studio International is published by:
Studio Trust, PO Box 1545, New York, NY
10021-0043, USA