The exhibition gives an insight into the development of modernism in Brazil, a country to which it was an extraneous mode of aesthetic language, developed under the influence of a somewhat slowly spreading wave of international modernism.
The artist talks about his academic origins, the delicate equilibrium he seeks between accident and control, the quintessentially Spanish spirit of his painting, and his current exhibition, Paso, at Victoria Miro, London.
Unusually for a landscape artist, Hepher has for 40 years focused almost exclusively on the tower blocks of south London. In this retrospective, his large-scale triptychs evoke an almost elegiac sense of time and place.
An exhibition at the Naiya Alexander Gallery in New York brings together Titarenko’s photographs from four cities taken over 30 years. Here, he talks about how life in the Soviet Union shaped his work, being jailed by the KGB, and how he found happiness in New York.
We visited James Capper over the course of four months, first filming him in his London studio where he explained the initial concept for his sculpture Six Step and finally following him to its installation at the Venice Biennale in 2015.
Premiering at the Chisenhale Gallery, Brennan’s film The Drift (2017) depicts restorative labour as the means to reconstruct Lebanon’s war-torn past and build a new future.
Defying history, this exhibition reveals crucial parallels between the surrealist Cahun and contemporary artist Wearing, from the birth to the death of their manifold identities.
Capping a series of pioneering shows at the Met Breuer that, force majeure, will serve as the new wing of the Metropolitan Museum of Art, this insightful appraisal of Marsden Hartley as “the Painter from Maine” places the Yankee for all time in the centre of his own court.
A mix of sculpture, tapestry, film, photography, painting and collage by 33 artists whose work refers to, or manipulates, the built environment, this exhibition heightens awareness of one’s own physical presence and the intensity – and complexity - of our relationship to the material and spatial world around us.
In order to understand contemporary painting, curator Séamus Kealy presents the work of nine European artists, examining their work through the lens of phenomenology.
The visual artist talks about what art can do in the face of climate change, her films of Arctic Russia and her latest film, shot in Scotland, From Time to Time at Sea.
The artist talks about his latest show, The Gypsy Camp, and his interest in nomadism and displacement, including his own experience of moving as a child from Cuba to Spain and then to the US, and explains his process of working with images from memory.
The Turkish artist discusses her work THEY/ONLAR, a multiscreen video installation previously seen at SALT, Istanbul, and now showing for the first time in the UK.
A pivotal period of John Constable’s life was spent in Brighton, where he would repeat three favourite walks, making sequential sketches, often intended as visual notes for larger paintings, but many quite exquisite as works in their own right.
Advertised as the world’s first exhibition dedicated to the history of the selfie, From Selfie to Self Expression explores our relationship – healthy or otherwise – with our own image.
Walker’s quietly charged, often luxurious, spaces frame half-told narratives that complicate traditional ideas of the woman as subject. She talks about her process and how feminism is a nuanced concept.
The artist talked to Studio International about his painting process before the opening of his first solo show for 10 years, Ethos at The Hannah Barry Gallery in south London.
This exhibition of works by Christer Karlstad, Willy Verginer and Jason DeMarte, fittingly staged in a former firehouse in Detroit's Eastern Market district, explores the post-industrial condition.
For her first solo exhibition in the UK, the artist deals with themes of guilt, marginalisation, sexual fantasy and emotional trauma through an aesthetic influenced by historical genre painters – and a talking mushroom.
Featuring more than 40 architects, this exhibition traces 70 years of small-scale innovation to celebrate some of the most distinctive and significant projects to have been realised in Japan since the second world war.
To mark the 50th anniversary of the partial decriminalisation of sex between men, Tate Britain’s contribution to the plethora of queer exhibitions across the UK is a well-curated, well-balanced, aesthetically compelling tribute to sexualities and genders across the spectrum.
Tony Heywood and Alison Condie’s ode to Hastings attempts to combine psychedelic sculpture with plants, but the jarring mixture of the natural and the artificial fails to capture the essence of this crazy coastal town.
History, identity and race dominate the Australian artist’s work, as he challenges stereotypical ideas, uncovering neglected and often conflicted histories, particularly relating to the Indigenous people of his own country.
Using pen and ink as a metaphorical means of interrogating human interest, Petherbridge sees drawing as akin to writing, only perhaps more democratic.
The co-curator of Kaleidoscope: Colour and Sequence in 1960s British Art discusses how this relatively unsung period in art history was characterised by more than just bright colours and glossy surfaces.
Tensta Konsthall is showing Bangladeshi artist Naeem Mohaiemen’s 2011 film, United Red Army, about the hijacking of a Japanese Airlines flight in 1977, along with two related vitrine displays.
The eighth edition of the Drawing Biennial, which includes more than 200 works on paper, prompts a reflection both on the status of drawing today and the world around us.
This is the first UK solo show for this fascinating artist, who chronicled key moments in the lives of seahorses, snails and other marine animals, using novel technologies to reach microscopic scales.
The artist talks about his seduction by charcoal, his fear of being exposed, and his creation of mindscapes from his own and others’ memories.
Oliver Beer uses sound, film and sculpture to explore the physical properties and emotional value of objects and places. We interview the artist as two new solo exhibitions open in the UK.