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Published  30/11/-0001
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Soulscapes

Hurvin Anderson, Michael Armitage, Alberta Whittle and other artists from the African diaspora consi...

Gillian Lowndes: Radical Clay

A post-apocalyptic landscape or an abandoned toolshed? This compact exhibition, by ceramics sculptor...

Sargent and Fashion

This show looks at how John Singer Sargent styled his sitters, insisting they wore certain garments ...

Francis Picabia: Women: Works on Paper 1902-1950

A career-spanning exhibition of drawings and watercolours shows the elusive modernist Francis Picabi...

Entangled Pasts, 1768–now: Art, Colonialism and Change

The Royal Academy, founded at the height of the British empire, brings together more than 100 histor...

Barbara Kruger: Thinking of You. I Mean Me. I Mean You

As poetic as it is urgent, Barbara Kruger’s text-based work packs a weighty punch. Her methods of ...

Moon/King: The Work and Friendship of Phillip King and Jeremy Moon – 195...

Phillip King and Jeremy Moon met as students at Cambridge and remained friends until Moon’s death ...

The Korean Moment

A flurry of museum and gallery exhibitions flags a surge of interest in Korean art. The most compell...

Harold Cohen: AARON

Through paintings, works on paper and projections, this exhibition traces the evolution of AARON, th...

Gayle Chong Kwan – interview: ‘I’ve made a connection between displa...

Gayle Chong Kwan talks about using sand and sugar to make historic and contemporary connections betw...

Yoko Ono: Music of the Mind

Spanning seven decades of Yoko Ono’s groundbreaking work, from the 1950s to now, some done with Jo...

Leo Robinson – interview: ‘Human beings need meaningful symbols and na...

Leo Robinson, whose exhibition Dream-Bridge-Omniglyph is now at the London Mithraeum, considers his ...

Outi Pieski – interview: ‘Contemporary art museums in general are spac...

Small carved figures, knotted fringes and historic hats represent Outi Pieski’s Sámi heritage as ...

These Mad Hybrids: John Hoyland and Contemporary Sculpture

In this joyous and eccentric show, Hoyland’s jaunty ceramic sculptures are shown alongside equally...

Unravel: The Power and Politics of Textiles in Art

The 50 artists in this formidable show have all used textiles to tell powerful stories of resistance...

Ronald Davis – interview: ‘Two artists who use perspective in their wo...

Ronald Davis talks about his art and how he started out in the 1960s, his friendship with Judy Chica...

Charles Holden’s Master Plan: Building the Bloomsbury Campus* and Warbur...

Spanning master plans and covert models, these two exhibitions conjure up a point in the early 1930s...

Frank Auerbach: The Charcoal Heads

Repeatedly drawing the same sitters from among his circle of close friends, Auerbach conveys his sub...

Jacqueline Poncelet: In the Making

After years of resistance, Jacqueline Poncelet has facilitated a full retrospective of 50 years of h...

When Forms Come Alive

The Hayward Gallery’s spring exhibition is an effervescent playground of kinetically inclined scul...

Paolozzi at 100

This show celebrating the centenary of the local artist who became internationally famous includes m...

Emily Kam Kngwarray

This major new show pays homage to Kngwarray, an Indigenous Australian who, though she only began pa...

A History of Women in 101 Objects: A Walk Through Female History – book ...

A suffragette’s medal, a 16th-century dildo and a hatpin are just some of the fascinating items th...

Judith Godwin: Expressions of Life

Although associated with abstract expressionism, Judith Godwin strove for a more nuanced approach th...

Ramesh Mario Nithiyendran – interview: ‘Part of creating the work is t...

A melange of multilimbed, fertility, guardian, protector and warrior figures animate Glasgow’s Tra...

Art Without Frontiers: The Story of the British Council, Visual Arts, and ...

This is a fascinating account of the personalities, events and contexts that have shaped an organisa...

Sara Shamma – interview: ‘When I paint, I am in a state like meditatio...

Sara Shamma’s latest exhibition of new paintings responds to works by greats from Rembrandt to Rub...

Pasquarosa: From Muse to Painter

Remembered more as an artist’s model than a painter, Pasquarosa, this largely forgotten female art...

Jonathan Jones: Untitled (Transcriptions of Country)

Jones collaborates with recent migrants to Australia to show how the culture and practices of its In...

Why contemporary art has to fight for survival in Cuenca

On the occasion of the Ecuadorian city’s 16th biennial, we look at how religion, deeply conservati...

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