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David Blackburn: The Sublime Landscape

David Blackburn's exhibition at the Hart Gallery in London coincides with the publication of The Sub...

Daniel Libeskind: Imperial War Museum at Salford, Manchester

Daniel Libeskind's new building, an adjunct to the Imperial War Museum in Lambeth, South London, is ...

Frank Auerbach

Frank Auerbach's career is celebrated at the Royal Academy in all the ways in which this institution...

Frank Auerbach: Paintings and Drawings 1954-2001

The paintings on show at the RA have an effect that it would have been impossible to anticipate; the...

Experiment Experiencia: Art in Brazil 1958-2000

The Brazil of the start of this period was scarcely realised in the recent Tate Modern extravaganza ...

Ed Ruscha: The Mountains

Ed Ruscha is 63, and Oklahoma born, but the coolest of cool Californian...

Dan Flavin

Dan Flavin's work is exemplary. Of what? Yet, he preferred to call his works simply 'proposals', rat...

Encounters: A dialogue with art from the past

The creative process evolves from personal experience, formal education, a dialogue with art from th...

Eduardo Paolozzi in conversation with J. G. Ballard and Frank Whitford

Eduardo Paolozzi, whose current exhibition at the Tate Gallery is, surprisingly, the first large-sca...

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