Rude Britannia: British comic art
It is a striking paradox that whereas comedy occupies a central and revered position in our literary...
Paintings Past and Present from the New English Art Club
The current show traces the evolution of the New English Art Club from its foundation in 1886 to the...
Rubens, Van Dyck and Flemish Art
This important exhibition in Stockholm was only made possible in its present superlative achievement...
Richard England recently visited Petra. Here he eulogizes on the unique harmonious relationship betw...
Pierre Soulages did not begin with giant monochromes, but with smaller works, in which the play of i...
Paul Sandby: Picturing Britain. National Gallery of Scotland, 2009
Paul Sandby (1731–1809) occupies a prominent position in British art of the 18th century in the pr...
Pop Life: Art in a Material World, Tate Modern, London 2009
‘What make[s] you rich, we have been taught by a decade of casino capitalism, is precisely the opp...
Remains and Remnants. Anselm Kiefer: The Fertile Crescent
In conversation with Tim Marlow, director of exhibitions at the White Cube, Anselm Kiefer mentions t...
Rosalind Nashashibi at the ICA
This exhibition sees a return to the ICA for Nashashibi, the first female artist to win their Beck...
Patrick Tjungurrayi and Warlimpirrnga Tjapaltjarri
The showing of two senior Aboriginal artists in Melbourne this month is one of many opportunities to...
The Raphael to Renoir exhibition at the National Galleries of Scotland (NGS) allows a rare glimpse i...
Radical Nature: Art and Architecture for a Changing Planet 1969-2009
It is appropriate therefore that the earliest works in this exhibition date from that time, tracking...
In the artist’s most comprehensive survey to date, Roni Horn fuses image and text to enable contem...
Rodchenko and Popova: defining constructivism
This superbly researched and hung exhibition is nonetheless somewhat long overdue insofar as it reco...
Rewinding personalities: Van Dyck at Tate Britain
The short journey from the British Museum down to Tate Britain is currently a rewarding trip. The Br...
Review: Andrea Palladio: His Life and Legacy
It is significant that this exhibition at the Royal Academy in London originated in Vicenza (Palazzo...
Richard Serra’s 2008 Exhibition at Gagosian gallery, which closed just before Christmas, showed th...
Harper Road is an unremarkable south London street, flanked by the blocks of large post-war housing ...
In an exhibition at the Haunch of Venison, Rafael Lozano-Hemmer explores the way the viewer is able ...
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Robin Rhode. Who Saw Who and Through the Gate
Robin Rhode is charting new ground as a talented, mixed-race South African artist, who pushes the bo...
Phyllis Lambert and the Canadian Centre for Architecture
Phyllis Lambert is now in her 81st year and her long life is particularly associated with two buildi...
Richard Demarco, Edinburgh International Festival, 2008
It may be a product of age or lack of funding and proper premises but, whatever the reason, Richard ...
Richard Hamilton: 'Protest pictures'
Inverleith House is located at the centre of the Royal Botanic Gardens in Edinburgh. At one time it ...
One of the important architectural icons of the 1970s is, by popular consent, now due to be demolish...
Psycho Buildings at the Hayward Gallery
The Hayward Gallery, London, under director Ralph Rugoff, has organised another trailblazing exhibit...
Photographing Nepal from the Inside Out
On 14 March 2008, the Rubin Museum of Art, a venue dedicated to Himalayan arts and culture, opened t...
A mid-career retrospective at Tate Britain is enough to cement the reputation of any artist, or else...
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