Anthony McCall: ‘The sculptural aspect of a piece occurs only at the mom...
The pioneer of immersive, sculptural light installations explains his process and procedures, intere...
Sam Stewart: ‘From a psychological perspective, working in someone's hom...
For his first solo exhibition, artist-designer Sam Stewart transforms an unoccupied space within a N...
Cybernetic Serendipity: History and Lasting Legacy
Catherine Mason considers the ICA’s groundbreaking computer art exhibition of 1968 and looks at ho...
Claudia Wieser: ’I know there is the danger of beauty in my work, or a d...
Ahead of the opening of her current show at the Marianne Boesky Gallery in New York, Berlin-based ar...
Evelyn Hankins: ‘Mark Bradford’s project directly challenges the idea ...
Hankins, senior curator at the Hirshhorn museum, explains how a collaboration with Mark Bradford led...
An exhibition of work by the Canadian painter David Milne charts his progression from depictions of ...
Events planned around the Creativity and Collaboration: Revisiting Cybernetic Serendipity symposium ...
Andy Holden: ‘A lot of my work is a fidelity to what feels right more th...
Andy Holden talks about his relationship with his father, the ornithologist Peter Holden, nature ver...
The Enchanted Room: Modern Works from the Pinacoteca di Brera
Teeming with hidden treasures, this exhibition is a compact survey of key movements and artists in I...
Thinking Machines: Art and Design in the Computer Age, 1959-1989
The exhibition is a must-see for anyone interested in the early history of computer technology and i...
Giorgio Griffa: A Continuous Becoming
With references to the Fibonacci sequence and the golden ratio, Griffa’s paintings are works to pu...
Zhang Enli: ‘I pay attention to the subtle things that you might usually...
The artist known for focusing on the poetic aspects of daily life talks about new approaches to pain...
Yto Barrada: ‘The whole thing is a dance between a mad poet, children an...
Yto Barrada discusses her new exhibition at the Barbican Centre, which draws on a calamitous earthqu...
Lydia Ourahmane – interview: ‘Working with this personal history is so...
Lydia Ourahmane talks about her exhibition at the Chisenhale Gallery, allegiance, betrayal, drawing ...
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Virtual Normality: Women Net Artists 2.0
This exhibition looks at how social media platforms and the digital manipulation of images are being...
Maija Luutonen: ‘I’m not a big fan of monuments’
Maija Luutonen is the inaugural recipient of the Kiasma Commission by Kordelin, a project to promote...
Kettle’s Yard, Cambridge, extension
Jamie Fobert Architects’ new wing for Kettle’s Yard in Cambridge opened this month, doubling the...
In a hulking presentation at Gagosian, the painter laureate of putrefaction continues to moulder old...
Tarsila do Amaral: Inventing Modern Art in Brazil
As revealed by this tightly curated exhibition at New York’s Museum of Modern Art, Tarsila do Amar...
Her legacy has often been dwarfed by her biography – as Rodin’s student and lover, who spent 30 ...
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Andrew Lacon: Fragments – Kate V Robertson: This Mess Is Kept Afloat
Two exhibitions at Dundee Contemporary Arts confront and explore the relationships between the viewe...
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Michael Armitage: ‘Can an art space function in the same way as a chapel...
The artist weaves multiple narratives to evoke the complexity of East African society. Here, he talk...
After White: Michaela Zimmer and Peter Welz
Weaving a path in and out of Peter Welz’s awkward steel architectural intervention, the viewer com...
Encountering the Buddha and the Kandell Tibetan Buddhist Shrine Room – a...
The curator talks about Encountering the Buddha: Art and Practice Across Asia, the current exhibitio...
This first major UK retrospective of German photographer Andreas Gursky, at the newly renovated Hayw...
Sophie Herxheimer: ‘I’m after precision in poetry … I’m after exac...
Poet, writer and image-maker Sophie Herxheimer talks about the ideas and inspiration that inform her...
Merrie Albion: Landscape Studies of a Small Island
From the diamond jubilee to the ruins of Grenfell Tower, Simon Roberts captures the events that have...
Jason Brooks: ‘In a world that wants to eradicate detail by airbrushing ...
Ahead of his exhibition at Marlborough, London, Jason Brooks showed Studio International around his ...
The Royal Academy of Arts celebrates its 250th year with a collection of riches fit for a king – a...
A New Era: Scottish Modern Art, 1900-1950
At a time when the UK’s relationship with the rest of Europe is at stake, this exhibition of the a...
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