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Sadie Laska: interview

New York-based Sadie Laska, who is both a painter and a drummer, brings her improvisation skills int...

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Helen Beard: interview

Helen Beard’s striking and marvellously simplified, flat colour images, take you by surprise in a ...

Catherine Parsonage: ‘I wanted to break things apart, let everything be ...

The artist talks about how living in Rome has changed her work, why she is so interested in bodily f...

Eve Fowler: ‘Stein’s work really affected me’

The artist talks about her latest exhibition, What a slight, what a sound, what a universal shudder,...

Manuel Mathieu: ‘Life experience sometimes forces you to see things that...

The Haitian artist talks about coming to terms with his country’s turbulent history and some perso...

James Edgar and Sam Walker: ‘We think of Assembly Point as part of our c...

James Edgar and Sam Walker talk about Assembly Point, their co-founded gallery, studio space and pub...

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Eleanor Pinfield: ‘London – and London Underground - deserves to have ...

Pinfield is Head of Art on the Underground, which has commissioned work by Cindy Sherman, David Shri...

Vera Molnár: ‘I have no regrets. My life is squares, triangles, lines’

Vera Molnár, the pioneer of computer-assisted art, recounts her love affair with lines, the balanci...

David Cross: ‘Art is what fills the gap between how the world is and how...

A reader at the University of the Arts London, Cross talks about his struggle to persuade the univer...

Phyllida Barlow: ‘It’s the first time I’ve experienced making someth...

As her first permanent artwork, Quarry is unveiled at Jupiter Artland, outside Edinburgh, Barlow tal...

Celia Pym: ‘I didn’t ever see the point of invisible mending’

Describing herself as ‘an artist who works in textiles’ Pym talks about her recent surgery for m...

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Jane Irish: ‘There is a critical strain about the anti-war movement that...

For the first time in its 200-year history, a mansion in Philadelphia is transformed into a major pu...

Fergus McCaffrey Gallery opens in Japan

Since founding his New York gallery in 2006, Fergus McCaffrey has been instrumental in introducing p...

Harriet Middleton-Baker: ‘I enjoy the potential for opera to be seriousl...

The artist talks about unpicking the story of William Hogarth’s A Harlot’s Progress and using he...

Ettore Spalletti: ‘A yellow can lead me so far away into the light that ...

On the opening of his exhibition at the Galerie Marian Goodman, the Italian artist recounts his ritu...

Chila Kumari Burman: ‘I scribble and make a mess in my studio. My whole ...

Burman talks about the inspirations for her intricate, multilayered works, including her latest comm...

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Paul Maheke: ‘Michael Jackson is the reason I dance. And Felix Gonzalez-...

Through installation, sound, film and dance, Paul Maheke's work explores gender and racial stereotyp...

Neil Gall: ‘As an artist, you are almost trying to find a new kind of be...

Neil Gall: ‘As an artist, you are almost trying to find a new kind of beauty’ For his current...

Zuzanna Czebatul: ‘People have to talk and dance with each other’

The artist talks about tigers, tarot cards, the vast carpet she made for this year’s Art Cologne a...

Joan Jonas: ‘I often went to magic shows as a child, and the idea of mag...

Joan Jonas talks about her multidisciplinary installation works currently on show at Tate Modern and...

Inti Guerrero: ‘I am trying not to fall into the cultural production and...

The curator of this year’s EVA International, Ireland’s biennial, talks about how the country’...

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David Shrigley: ‘The quality of the work for me is about avoiding contri...

David Shrigley talks about his large-scale installation Life Model II at Fabrica Gallery in Brighton...

Mariele Neudecker: ‘I get labelled as a climate change artist at times, ...

Bristol based artist Mariele Neudecker talks about how Cern inspires her, why you shouldn’t call h...

Nancy Fouts: ‘I once made a slingshot out of Jesus and had his head worn...

Nancy Fouts brings her trademark baroque theatricality, dada mischief and love of a good pun to Flow...

Phillip K Smith III: ‘The earth and the sky are the things that bind us...

As he prepares to mount an illusionistic new installation in Milan, the American space and light art...

José Parlá: ‘It challenges me to work against the grain of the status ...

For his most ambitious project to date, commissioned by the Landmarks public art programme at the Un...

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Clementine Keith-Roach: ‘I think of domestic objects and furniture as ph...

The artist and set designer discusses casting her mother’s breasts for one of her nipple urns, bre...

Miguel Chevalier: ‘I feel that I live in what’s happening today’

Ahead of two simultaneous solo shows in London, pioneering computer artist Miguel Chevalier invites ...

Dawn Mellor: ‘It is not surprising that activism and resentments due to ...

Dawn Mellor, best-known for her parodic portraits of celebrities, talks about taking a year of from ...

Michele Oka Doner: ‘We can’t repair the Earth if we don’t fall in lo...

American artist and author Michele Oka Doner shares some of her explorations of nature and ritual fr...



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