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Joel Shapiro: ‘As an artist, you are synthesising the stuff around you i...

The influential American sculptor, now in the fifth dec...

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Athena Papadopoulos: ‘Art is a kind of alchemy: turning shit into gold’

Drawing inspiration from her childhood and her womanisi...

Tim Benson: ‘I wanted my work to have more meaning’

The artist talks about storytelling through portraiture, and the human face...

John Akomfrah: ‘The question of discourse is absolutely central’

The artist explains the inspirations for his new split-screen ...

Nicolás Herrera: ‘this mural is about life’

Studio International travelled to Cuenca, Ecuador, to talk to Nicolás Herre...

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Cecilia Brunson: ‘In the case of Willys de Castro, it’s also a percept...

The Latin American art dealer explains the ethos of her...

Carla Rapoport: ‘I like to think we’re the Elvis of the art world’

The founder of the Lumen Prize says Elvis brought gospel a...

James Richards: ‘I was really into making an exhibition space where ther...

The artist, who will be representing Wales in Venice (C...

Arthur Watson: ‘What connected Nagoya and Chicago was the level of inter...

The artist talks about his current exhibition, Double D...

Toby Ziegler: ‘In half an hour, you can undo an entire month’s work’

The artist explains his processes of painting and sandin...

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Joey Holder: ‘I’d like to see a lot more collaboration between the sci...

The artist shows Studio International around her &lsquo...

Simon Starling: ‘A little knowledge is a powerful thing, and too much kn...

The Turner Prize-winning conceptual artist underscores ...

Peter Liversidge: ‘My work is solely about engagement’

The artist talks about the significance of his “proposals”, ...

Tom Ellis: ‘Defining yourself in opposition to something else is always ...

The British artist talks about context, subversion and ...

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Michelangelo Pistoletto: ‘The mirror is always part of one unique mirror...

In the startlingly altered states of Blenheim Palace, t...

Simon Lewty: ‘I draw only from the imagination’

Lewty, whose work combines fantastic images with text, talks about where his in...

Sofia Borges: ‘Photography can be used as a tool to mould our sense of r...

The artist subverts photography, as she strives to &lsq...

Zhao Zhao: ‘You cannot separate art from politics’

A prominent member of the post-1980s generation of Chinese artists and a for...

Elpida Hadzi-Vasileva: ‘I am driven by making the impossible possible’

The artist, who makes beautiful works of art using waste...

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Karen Guthrie: ‘Family history is a hidden pain with lots of people. A f...

The film-maker talks about her incredibly successful an...

Douglas Kotwall: ‘We want to incubate young, contemporary Chinese artist...

Kotwall, a senior member of the K11 Art Foundation, tal...

Guan Xiao: ‘I am learning about humour. It is a precious quality’

The artist talks about how the digital revolution has influen...

Amy Franceschini: ‘It’s kind of simple: I want to be alive and I want ...

The artist talks about her upbringing in the breadbaske...

Sean Scully: ‘The stripe can do anything in any direction, and since it ...

The abstract artist talks about why he changed his styl...

Clare Jarrett: ‘It’s almost as though the work is already there somewh...

The Norwich-based artist talks about her recent residen...

Cyril de Commarque: ‘I believe in a new renaissance of thinking’

The French artist has converted a grain barge into an artwork ...

History Machines by Donovan & Siegel

Toronto-based artist couple Matt Donavan and Hallie Siegel explore the history of changes in c...



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